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Hogarth’s Practical Aesthetics

Mack, Ruth ALISON CONWAY ; MARY HELEN MCMURRAN ; Conway, Alison ; McMurran, Mary Helen

Mind, Body, Motion, Matter, 2016, p.21-46

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Título:
Hogarth’s Practical Aesthetics
Autor: Mack, Ruth
ALISON CONWAY ; MARY HELEN MCMURRAN ; Conway, Alison ; McMurran, Mary Helen
Assuntos: Aesthetic judgment ; Aesthetics ; Applied arts ; Architectural design ; Architecture ; Art history ; Art periods ; Artisans ; Arts ; Axiology ; Beauty ; Communications ; Communications media ; Design ; Diagrams ; Economic disciplines ; Economics ; Empiricism ; Employment ; Engraving ; Epistemology ; Graphics ; Labor economics ; Occupations ; Philosophy ; Print media ; Printmaking ; Renaissance art ; Social sciences ; Treatises ; Visual arts ; Visual materials
É parte de: Mind, Body, Motion, Matter, 2016, p.21-46
Descrição: InLondon and Westminster Improved(1766), John Gwynn observes that in current times the work of the history painter is “less attended to”; “his part,” rather, “is usually supplied by a paper hanging maker and two or three workers in stucco.”² The wallpaper and ornamental plasterwork to which Gwynn refers here is a sign of what Charles Saumarez Smith calls a “change in … perception” of the “material environment,” a new focus on the decoration of the interiors of houses and on those interiors as complete wholes.² Near the beginning of the eighteenth century, architectural illustrations of buildings began to
Editor: Toronto: University of Toronto Press
Idioma: Inglês

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