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The Machine in the Garden
Rollins, Peter PETER C. ROLLINS
The Columbia Companion to American History on Film, 2003, p.590-595
United States: Columbia University Press
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Título:
The Machine in the Garden
Autor:
Rollins, Peter
PETER C. ROLLINS
Assuntos:
Aesthetics
;
Agricultural sciences
;
Agriculture
;
Animal husbandry
;
Animal science
;
Anthropology
;
Applied aesthetics
;
Applied anthropology
;
Applied sciences
;
Arts
;
Axiology
;
Behavioral sciences
;
Biological sciences
;
Commercial music
;
Cultural anthropology
;
Cultural studies
;
Documentary films
;
Emerging technology
;
Engineering
;
Environmental social sciences
;
Environmental studies
;
Film music
;
Film studies
;
Gardens
;
Ground transportation
;
Ground vehicles
;
Herding
;
History of the Americas
;
Landscape architecture
;
Locomotives
;
Machinery
;
Mechanical engineering
;
Movies
;
Music
;
Music genres
;
Musical aesthetics
;
Performing arts
;
Philosophy
;
Rail lines
;
Railroad tracks
;
Railroad trains
;
Railway systems
;
Ranching
;
Reference works
;
Sheep herding
;
Simple machines
;
Technological change
;
Technology
;
Transportation
;
Transportation modes
;
Urban gardens
;
Wheels
É parte de:
The Columbia Companion to American History on Film, 2003, p.590-595
Descrição:
Many nineteenth-century American observers greeted what Ralph Waldo Emerson called “the whistle of the locomotive in the woods” with a mixture of awe and anxiety. When Nathaniel Hawthorne heard a train’s “startling shriek” shatter the stillness of Concord Woods on the morning of July 27, 1844, he worried it would usher “the noisy world into the midst of our slumbrous peace.” Painter George Catlin feared it would destroy “the grace and beauty of Nature”; and Thoreau regarded it as “a fate” that “never turns aside” (Nash, 13, 100). Theirs was both a lament and a prophecy. The locomotive was just
Editor:
United States: Columbia University Press
Idioma:
Inglês
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