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"MINHA TERRA TEM MAIS TERRA": POETIC AND NATIONAL GEOGRAPHIES IN OSWALD DE ANDRADE'S "PAU BRASIL"

White, Allison

Chasqui, 2017-05, Vol.46 (1), p.191-202 [Periódico revisado por pares]

Tempe: Chasqui: Revista de literatura latinoamericana

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Título:
"MINHA TERRA TEM MAIS TERRA": POETIC AND NATIONAL GEOGRAPHIES IN OSWALD DE ANDRADE'S "PAU BRASIL"
Autor: White, Allison
Assuntos: 1900-1999 ; Aesthetics ; Allusion ; Ambiguity ; Andrade, Oswald de ; Aspectos sociales ; Authenticity ; Avant-garde ; Brazilian literature ; Collaboration ; Cosmopolitanism ; Crítica literaria ; Cultural history ; Culture ; de Andrade, Oswald ; Escritores ; Estética ; Geografia ; Geography ; Hegemony ; Historia cultural ; Historia hispanoamericana ; Latin American history ; Literary characters ; Literary criticism ; Literary devices ; Literatura brasileña ; Modernism ; Modernismo ; Nación ; Narrative techniques ; Nation ; Negotiation ; Pau-Brasil ; Poesía ; Poetics ; Poetry ; Poscolonialismo ; Postcolonialism ; Publishing ; Publishing industry ; Space ; Theme ; Tiempo y espacio ; Time and space ; Travel literature ; Vanguardias ; Writers
É parte de: Chasqui, 2017-05, Vol.46 (1), p.191-202
Descrição: Uniting poetry and discovery in a purposefully vague sense of time pertains to an ongoing theme of Oswald de Andrade's poetry collection titled Poesia Pau Brasil, as well as the "Manifesto da poesia PauBrasil" that precedes it: the growth of the imagined space of the nation, through the aesthetics of the project as much as their explicit proposals. In the preface to Poesia. Brazil's discovery effectively allows its national imaginary to invade Paris; in "3 de maio," the concept of discovery shifts from the past (in the sense of the European discovery of Brazil) into the present and the future, moving forward into a new Brazilian space. I propose that, in accordance with the goal of "poesia de exportaçâo," Oswald's poetics expand the spatial conception of the nation through fracture and conflict. The response to this escalating tension in Pau Brasil is not resolution or innovation, but rather synthesis of different geographies and temporalities. Through the juxtaposition of contrasting elements, the Brazilian nation can grow to encompass all of its conflicts in new temporal and spatial geographies, and thus overcome the former limits placed on it from outside. The "Manifesto" acknowledges the troubled past of the object in the colonial history of Brazil and reframes that past as useful and productive to new cultural creation. The rewriting of time and space, particularly in the forms of history and geography, allows Oswald to negotiate Brazil's relationship to Europe, through the (re)discovery of the nation.
Editor: Tempe: Chasqui: Revista de literatura latinoamericana
Idioma: Inglês;Espanhol

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"MINHA TERRA TEM MAIS TERRA": POETIC AND NATIONAL GEOGRAPHIES IN OSWALD DE ANDRADE'S "PAU BRASIL"

White, Allison

Tempe: Chasqui: Revista de literatura latinoamericana

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