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Superficies de revolución

Arrieta, Usue ; Vázquez, Vicente

Journal of Spanish cultural studies, 2017-10, Vol.18 (4), p.443-477 [Periódico revisado por pares]

Abingdon: Routledge

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Título:
Superficies de revolución
Autor: Arrieta, Usue ; Vázquez, Vicente
Assuntos: Archives ; Archivos ; Artes visuales ; Automobile industry ; Cine español ; Collaboration ; Cultura española ; Cultura popular ; Cultura y sociedad ; Cultural history ; Culture and society ; Dialogue ; Diálogo ; Francoism ; Franquismo ; French culture ; Historia cultural ; Historic memory ; Memoria histórica ; Political dissent ; Popular culture ; Posfranquismo ; Post-Francoism ; Sociedad española ; Spanish cinema ; Spanish culture ; Spanish society ; Spanish transition to democracy ; Transición española ; Visual arts
É parte de: Journal of Spanish cultural studies, 2017-10, Vol.18 (4), p.443-477
Descrição: The artistic duo formed by Usue Arrieta and Vicente Vázquez traces a cultural history of the relationship between cinema and the automobile industry in late Francoist Spain and the early years of the Transición, as well as in the French Renault factories' film departments of the 1960s. In montage-like fashion, their essay juxtaposes the genealogical precedent of Valcárcel Medina's 1970s artistic production, the role of speed, and the measuring of time in the working-class imagination, the cinematic and artistic experimentalism fostered by the French auto industry (as well as the militant production that later took its place), the survival of mechanical gestures of labor, and the pervasive memories of our industrial past and their role in the historical experience of the Transición. At the same time, their visual and conceptual archive of car culture of the 1960s and 1970s becomes the source for and entryway into their own ongoing artistic output, the long-term CMDG/Cierta Mecánica del Gesto. Thus, the smaller project ANAZAOP/As Near as Zero as One Pleases - an intervention regarding perceptions of the speed, scale and industrial footprint of the legendary R5MaxiTurbo, a car mediated and amplified by its cinematic record - is in constant dialogue with an anachronistic archive of industrial remnants. The spirit of dialogue and collaboration that animates the text extends to the use of a collective first-person narration and gives us a glimpse into a creative process made up in equal measures of archival, theoretical, and material experimentation.
Editor: Abingdon: Routledge
Idioma: Inglês;Espanhol

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Superficies de revolución

Arrieta, Usue ; Vázquez, Vicente

Abingdon: Routledge

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