skip to main content
Visitante
Meu Espaço
Minha Conta
Sair
Identificação
This feature requires javascript
Tags
Revistas Eletrônicas (eJournals)
Livros Eletrônicos (eBooks)
Bases de Dados
Bibliotecas USP
Ajuda
Ajuda
Idioma:
Inglês
Espanhol
Português
This feature required javascript
This feature requires javascript
Primo Search
Busca Geral
Busca Geral
Acervo Físico
Acervo Físico
Produção Intelectual da USP
Produção USP
Search For:
Clear Search Box
Search in:
Busca Geral
Or select another collection:
Search in:
Busca Geral
Busca Avançada
Busca por Índices
This feature requires javascript
This feature requires javascript
Towards an Architecture of the Cinematic
Breeze, Mark
Architecture 2018
Texto completo disponível
Citações
Citado por
Exibir Online
Detalhes
Resenhas & Tags
Mais Opções
Nº de Citações
This feature requires javascript
Enviar para
Adicionar ao Meu Espaço
Remover do Meu Espaço
E-mail (máximo 30 registros por vez)
Imprimir
Link permanente
Referência
EasyBib
EndNote
RefWorks
del.icio.us
Exportar RIS
Exportar BibTeX
This feature requires javascript
Título:
Towards an Architecture of the Cinematic
Autor:
Breeze, Mark
Assuntos:
Architecture
;
DSR
;
Tschumi
Descrição:
This dissertation begins to reconsider the theoretical and practical implications of notions of the cinematic in shaping the built realities and conceptual understandings of what architecture can be and can do. Through a combination of primary source archive research, interviews with a range of actors, original building analysis, and critical engagement with the secondary literatures, I examine a range of architectural case studies through a distilled notion of the cinematic, in order to begin to think architecture differently. The dissertation is structured in three main parts. Firstly, using primary archive research and secondary literatures, I reconsider the foundations of cinema through the successive image and moving-image work of Eadweard Muybridge, Étienne-Jules Marey, and Thomas Edison; from this analysis I construct a core set of qualities of the cinematic. Secondly, I critically review the existing architecture-cinema relationship as it relates to the discipline of architecture, using a combination of primary and secondary literatures, and architectural projects; I identify gaps and contradictions in the existing understandings of the architectural implications of explicitly cinematic approaches; I then introduce two contemporary architectural practices that engage with ideas of the cinematic – Diller Scofidio + Renfro, and Bernard Tschumi Architect. Thirdly, I use the distilled notion of the cinematic constructed above to think and re-evaluate a series of case study projects of these two architectural practices; I analyse these projects in detail to reveal a different mode of understanding both these specific architectures, and the critical positions of these architectural practices more generally. Finally, I begin to explore the broader implications of these conclusions for thinking architecture and its possibilities anew.
Editor:
Architecture
Data de criação/publicação:
2018
Idioma:
Inglês
Links
View record in Cambridge University Library$$FView record in $$GCambridge University Library
This feature requires javascript
This feature requires javascript
Voltar para lista de resultados
This feature requires javascript
This feature requires javascript
Buscando em bases de dados remotas. Favor aguardar.
Buscando por
em
scope:(USP_PRODUCAO),scope:(USP_EBOOKS),scope:("PRIMO"),scope:(USP),scope:(USP_EREVISTAS),scope:(USP_FISICO),primo_central_multiple_fe
Mostrar o que foi encontrado até o momento
This feature requires javascript
This feature requires javascript