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Breaking Up with Breaking Bad: Relational Dissolution and the Critically Acclaimed AMC Series
MELISSA A. CLICK ; HOLLY WILLSON HOLLADAY REBECCA WILLIAMS
Everybody Hurts, 2018, p.61
University of Iowa Press
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Título:
Breaking Up with Breaking Bad: Relational Dissolution and the Critically Acclaimed AMC Series
Autor:
MELISSA A. CLICK
;
HOLLY WILLSON HOLLADAY
REBECCA WILLIAMS
Assuntos:
Anthropology
;
Applied anthropology
;
Arts
;
Audiences
;
Behavioral sciences
;
Biological sciences
;
Biology
;
Branding
;
Brands
;
Broadcast media
;
Business
;
Business administration
;
Cognitive psychology
;
Communications
;
Consumers
;
Corporate communications
;
Cultural anthropology
;
Death
;
Developmental biology
;
Emotion
;
Emotional expression
;
Emotional states
;
External corporate communications
;
Fan cultures
;
Hope
;
Human populations
;
Journalism
;
Life cycle
;
Literary characters
;
Literary elements
;
Literature
;
Marketing
;
Mass communication
;
Mass media
;
Narratives
;
News content
;
News media
;
Persons
;
Population studies
;
Protagonists
;
Psychology
;
Social sciences
;
Subcultures
;
Television
;
Television programs
;
Television viewers
É parte de:
Everybody Hurts, 2018, p.61
Descrição:
Recent calls for media studies scholarship to focus on the long-term relationships audiences build with media over the course of their lives, whether through a focus on “cyclical fandom” (Hills 2005) or a “life course perspective on fandom” (Harrington and Bielby 2014), have drawn fan studies scholars’ attention to some understudied areas. Principal among them is fan reaction to the endings or deaths of the objects of their fandom, a topic that Harrington (2012, 579) stresses is “under-theorized” and Williams (2011, 266) asserts has “received little academic attention.” The few studies that have begun to address fans’ responses to endings
Editor:
University of Iowa Press
Idioma:
Inglês
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