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Writing; The Scene of Writing

Campe, Rüdiger ; Klausmeyer, Bryan ; Wankhammer, Johannes

MLN, 2021-12, Vol.136 (5), p.971-983 [Periódico revisado por pares]

Baltimore: Johns Hopkins University Press

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  • Título:
    Writing; The Scene of Writing
  • Autor: Campe, Rüdiger ; Klausmeyer, Bryan ; Wankhammer, Johannes
  • Assuntos: Barthes, Roland (1915-1980) ; Literary criticism ; Literary history ; Novels ; Poetics ; Poetry ; Writing
  • É parte de: MLN, 2021-12, Vol.136 (5), p.971-983
  • Descrição: For Roland Barthes, the word or concept écriture can dissolve demarcations and rearrange classifications: 1) Écriture dissolves the boundaries between literary genres to the extent that it is at work both in literature and in criticism. (According to Barthes, this is a consequence of modernism—"undoubtedly since Mallarmé.") 2) As the "traces of a practice: the practice of writing," écriture constitutes the work insofar as the latter can be conceived independently of the (juridical) personhood of its author. (This is how Barthes accounts for the death of the author.) 3) In a usage that is, again, distinctly modern, the verb "écrire" receives mediopassive significance in Barthes (s'écrire, "to write itself"): with this, he transitions via a medial reframing of the subject of production to the differential play of the text. (This offers the possibility of recombining the operations of literary criticism and the (linguistically-based) science of literature that were separated in the first argument.)
  • Editor: Baltimore: Johns Hopkins University Press
  • Idioma: Inglês

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