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The PostModern Debate: Brazilian Force Fields - An introductory overview (working paper)

Moriconi, Italo

Journal of Latin American cultural studies : travesía, 2005-12, Vol.14 (3), p.355-370 [Periódico revisado por pares]

Taylor & Francis Group

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  • Título:
    The PostModern Debate: Brazilian Force Fields - An introductory overview (working paper)
  • Autor: Moriconi, Italo
  • Assuntos: Art Works ; Artistic Styles ; Brazil ; Cultural Arts Policy ; Literature ; Modernity ; Postmodernism
  • É parte de: Journal of Latin American cultural studies : travesía, 2005-12, Vol.14 (3), p.355-370
  • Notas: ObjectType-Article-1
    SourceType-Scholarly Journals-1
    ObjectType-Feature-2
    content type line 23
  • Descrição: Examines how the rival discourses on the "postmodern" among Brazilian intellectuals -- like anywhere else in the global university regime -- molded an area of debate characterized by ambivalence, divided between the stern determination to dismiss modernity in toto, &, more warily, to move beyond the canon of high modernism in art & art history. A striking consequence of this dispute was that the notion of cultural modernity was newly illuminated in contemporary discussion, provoking reassessments & substantial revisions of the very idea of modernism & its significance in artistic & literary history, a phenomenon especially relevant for Brazilian "Modernismo." Following the arguments over postmodernism, "Modernismo" has been transformed into a historic power instead of a gradual, continuing, overarching national cultural endeavor. The connections between Brazilian postmodernism & "Modernismo" are intricate, dissimilar, fluid, & overlapping in terms of both piecemeal continuity & dramatic discontinuity. References. K. Coddon
  • Editor: Taylor & Francis Group
  • Idioma: Inglês
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  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

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