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Ipiranga Museum: 3D laser scanning as a contribution to Construction History

Campiotto, R.C. ; Kühl, B.M. Veiga, Ivo ; Mascarenhas-Mateus, João ; Pires, Ana Paula ; Caiado, Manuel Marques

History of Construction Cultures, 2021, Vol.2, p.139-146

CRC Press

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  • Título:
    Ipiranga Museum: 3D laser scanning as a contribution to Construction History
  • Autor: Campiotto, R.C. ; Kühl, B.M.
  • Veiga, Ivo ; Mascarenhas-Mateus, João ; Pires, Ana Paula ; Caiado, Manuel Marques
  • É parte de: History of Construction Cultures, 2021, Vol.2, p.139-146
  • Descrição: This study on the Ipiranga Museum of the University of São Paulo (USP) aims to assess the potential of 3D laser scanning to examine aspects related to construction history. Based on bibliographic studies and on the examination of the building itself, this study explores the building’s characteristics, and presents data on its construction and the main changes it has undergone over time. The study then analyzes the characteristics of the scanning carried out by the Development of Integrated Automatic Procedures for Restoration of Monuments (DIAPReM-Unife) for restoration purposes, which offers highly consistent morphometric data and information about the characteristics of the surfaces. The results of the scanning, when properly analyzed and articulated with bibliographic, iconographic and documentary sources, can provide important historiographical clarifications. This is explored at the end of the text with the goal of highlighting the importance of interdisciplinary works as a means of mutual enrichment. The architectural thinking, building logic and materials, spans three different technological thresholds, building scales and programmes: houses, schools and factories. The American Modern Movement thus developed in part thanks to the fecundation and subsequent maturation of innovative ideas brought from Europe by some of the leading masters of modern architecture. Once in the dynamic American context, they found fertile ground for conducting their research. Matching the general mood of optimism in the 1950s, the designs of these architects liberated post-war Swiss architecture from traditional methods while simultaneously creating a basis for resisting the trends of later postmodern fashion. The new buildings could be simple and transparent, made of steel and concrete with large glass facades. Fritz Haller was always active in the cultural debate surrounding him and, when having the opportunity, he openly expressed strong dissent towards a large part of contemporary Swiss construction practice, as completely uninterested in technological and industrial advances.
  • Editor: CRC Press
  • Idioma: Inglês
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  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

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