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1
Beading Culture: Raised Beadwork and the Oneida Nation of Wisconsin
Beading Culture: Raised Beadwork and the Oneida Nation of Wisconsin
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Beading Culture: Raised Beadwork and the Oneida Nation of Wisconsin

Gordon, Beverly

Journal of American Folklore, 2018-01, Vol.131 (519), p.119-121 [Periódico revisado por pares]

Columbus: University of Illinois Press

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2
Interfaces of art: Meyer Schapiro, Fernand Léger, and the role of the art historian in anachronistic artistic influence
Interfaces of art: Meyer Schapiro, Fernand Léger, and the role of the art historian in anachronistic artistic influence
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Interfaces of art: Meyer Schapiro, Fernand Léger, and the role of the art historian in anachronistic artistic influence

Wasielewski, Amanda

Journal of art historiography, 2022-06 (26), p.1-20

Glasgow: Journal of Art Historiography

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3
The canon in art history: concepts and approaches
The canon in art history: concepts and approaches
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The canon in art history: concepts and approaches

Langfeld, Gregor

Journal of art historiography, 2018-12 (19), p.1-18

Glasgow: Journal of Art Historiography

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4
Hebrew Gomel: Space, Genre, Modernity
Hebrew Gomel: Space, Genre, Modernity
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Hebrew Gomel: Space, Genre, Modernity

Gordinsky, Natasha ; Tsirkin-Sadan, Rafi

The Jewish quarterly review, 2023-06, Vol.113 (3), p.424-451 [Periódico revisado por pares]

Philadelphia: University of Pennsylvania Press

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5
Manet, museum, modernism: Michel Foucault and modernist art history
Manet, museum, modernism: Michel Foucault and modernist art history
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Manet, museum, modernism: Michel Foucault and modernist art history

Kauffman, Alexander

Journal of art historiography, 2020-06 (22), p.1-21

Glasgow: Journal of Art Historiography

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6
The canonisation of modernism: exhibition strategies in the twentieth and twenty-first centuries
The canonisation of modernism: exhibition strategies in the twentieth and twenty-first centuries
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The canonisation of modernism: exhibition strategies in the twentieth and twenty-first centuries

Langfeld, Gregor ; Bauduin, Tessel M

Journal of art historiography, 2018-12 (19), p.1-5

Glasgow: Journal of Art Historiography

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7
What could have been and never was: the intellectual context of Clement Greenberg's 'Byzantine Parallels'
What could have been and never was: the intellectual context of Clement Greenberg's 'Byzantine Parallels'
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What could have been and never was: the intellectual context of Clement Greenberg's 'Byzantine Parallels'

Batario, Jessamine

Journal of art historiography, 2018-06 (18), p.1-21

Glasgow: Journal of Art Historiography

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8
Public art and the perils of canonization: the case of Swing Landscape by Stuart Davis
Public art and the perils of canonization: the case of Swing Landscape by Stuart Davis
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Public art and the perils of canonization: the case of Swing Landscape by Stuart Davis

McComas, Jennifer

Journal of art historiography, 2018-12 (19), p.1-21

Glasgow: Journal of Art Historiography

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9
Alter-canons and alter-gardes – formations and re-formations of art historical canons in contemporary exhibitions: the case of Latin American and Eastern European art
Alter-canons and alter-gardes – formations and re-formations of art historical canons in contemporary exhibitions: the case of Latin American and Eastern European art
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Alter-canons and alter-gardes – formations and re-formations of art historical canons in contemporary exhibitions: the case of Latin American and Eastern European art

Oesterreich, Miriam ; Handberg, Kristian

Journal of art historiography, 2018-12 (19), p.1-20

Glasgow: Journal of Art Historiography

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10
Carlos Mérida and the Mobility of Modernism: A Mayan Cosmopolitan Moves to Mexico City
Carlos Mérida and the Mobility of Modernism: A Mayan Cosmopolitan Moves to Mexico City
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Carlos Mérida and the Mobility of Modernism: A Mayan Cosmopolitan Moves to Mexico City

Montgomery, Harper

The Art bulletin (New York, N.Y.), 2016-12, Vol.98 (4), p.488-509 [Periódico revisado por pares]

New York: Routledge

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  1. Revistas revisadas por pares (9)

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