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Mania and the Museum: Francis Frascina argues that the failure of museums and galleries to properly address their historical legacies has led to a form of inadvertent or deliberate censorship
Mania and the Museum: Francis Frascina argues that the failure of museums and galleries to properly address their historical legacies has led to a form of inadvertent or deliberate censorship
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Mania and the Museum: Francis Frascina argues that the failure of museums and galleries to properly address their historical legacies has led to a form of inadvertent or deliberate censorship

Frascina, Francis

Art monthly, 2023-03 (464), p.10

Britannia Art Publications Ltd

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2
Deja vu, all over again
Deja vu, all over again
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Deja vu, all over again

Frascina, Francis

Art monthly, 2019-11 (431), p.6-8

London: Britannia Art Publications Ltd

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3
DEMATERIALISED AND DARK: FRANCIS FRASCINA EXAMINES ARCHIVAL ACTIVISM IN THE DIGITAL AGE: Is the work of pioneering archive activists, such as Lucy Lippard and Luis Camnitzer, negated by the archive's technological turn, as tackled by the work of Trevor Paglen and Hito Steyerl, or in dialogue with it?
DEMATERIALISED AND DARK: FRANCIS FRASCINA EXAMINES ARCHIVAL ACTIVISM IN THE DIGITAL AGE: Is the work of pioneering archive activists, such as Lucy Lippard and Luis Camnitzer, negated by the archive's technological turn, as tackled by the work of Trevor Paglen and Hito Steyerl, or in dialogue with it?
Material Type:
magazinearticle 		Adicionar ao Meu Espaço

DEMATERIALISED AND DARK: FRANCIS FRASCINA EXAMINES ARCHIVAL ACTIVISM IN THE DIGITAL AGE: Is the work of pioneering archive activists, such as Lucy Lippard and Luis Camnitzer, negated by the archive's technological turn, as tackled by the work of Trevor Paglen and Hito Steyerl, or in dialogue with it?

Frascina, Francis

Art monthly, 2018-12 (422), p.6

Britannia Art Publications Ltd

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4
TROUBLEMAKING: FRANCIS FRASCINA RECONSIDERS CONFLICTING DEBATES ABOUT FEMALE PLEASURE AND FEMALE VIOLATION IN CULTURAL REPRESENTATION: In the context of the #MeToo movement, the work of writers and artists from Jacqueline Rose, Carole S Vance and Judith Butler to bell hooks, Helen Chadwick and Sonia Boyce take on fresh significance
TROUBLEMAKING: FRANCIS FRASCINA RECONSIDERS CONFLICTING DEBATES ABOUT FEMALE PLEASURE AND FEMALE VIOLATION IN CULTURAL REPRESENTATION: In the context of the #MeToo movement, the work of writers and artists from Jacqueline Rose, Carole S Vance and Judith Butler to bell hooks, Helen Chadwick and Sonia Boyce take on fresh significance
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magazinearticle 		Adicionar ao Meu Espaço

TROUBLEMAKING: FRANCIS FRASCINA RECONSIDERS CONFLICTING DEBATES ABOUT FEMALE PLEASURE AND FEMALE VIOLATION IN CULTURAL REPRESENTATION: In the context of the #MeToo movement, the work of writers and artists from Jacqueline Rose, Carole S Vance and Judith Butler to bell hooks, Helen Chadwick and Sonia Boyce take on fresh significance

Frascina, Francis

Art monthly, 2018-05 (416), p.14

Britannia Art Publications Ltd

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5
VIRAL LANDSCAPES: FRANCIS FRASCINA ON THE POLITICAL SIGNIFICANCE OF HELEN CHADWICK'S LANDSCAPES: In her lifetime, Helen Chadwick's seminal series of photographs of the Pembrokeshire coast were understood in the context of 1980s fears over Aids, but doesn't this interpretation overlook the political and historical significance of the specific sites that she chose to depict?
VIRAL LANDSCAPES: FRANCIS FRASCINA ON THE POLITICAL SIGNIFICANCE OF HELEN CHADWICK'S LANDSCAPES: In her lifetime, Helen Chadwick's seminal series of photographs of the Pembrokeshire coast were understood in the context of 1980s fears over Aids, but doesn't this interpretation overlook the political and historical significance of the specific sites that she chose to depict?
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magazinearticle 		Adicionar ao Meu Espaço

VIRAL LANDSCAPES: FRANCIS FRASCINA ON THE POLITICAL SIGNIFICANCE OF HELEN CHADWICK'S LANDSCAPES: In her lifetime, Helen Chadwick's seminal series of photographs of the Pembrokeshire coast were understood in the context of 1980s fears over Aids, but doesn't this interpretation overlook the political and historical significance of the specific sites that she chose to depict?

Frascina, Francis

Art monthly, 2017-09 (409), p.6

Britannia Art Publications Ltd

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6
FRANCIS FRASCINA ON THE DENIAL OF IDENTITY: If proliferating techniques of redaction have produced a new spectacle of obliteration, how have artists such as John Akomfrah, Jenny Holzer and Richard Wentworth resisted the censor?
FRANCIS FRASCINA ON THE DENIAL OF IDENTITY: If proliferating techniques of redaction have produced a new spectacle of obliteration, how have artists such as John Akomfrah, Jenny Holzer and Richard Wentworth resisted the censor?
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magazinearticle 		Adicionar ao Meu Espaço

FRANCIS FRASCINA ON THE DENIAL OF IDENTITY: If proliferating techniques of redaction have produced a new spectacle of obliteration, how have artists such as John Akomfrah, Jenny Holzer and Richard Wentworth resisted the censor?

Frascina, Francis

Art monthly, 2016-02 (393), p.1

Britannia Art Publications Ltd

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7
To be a Pilgrim: Francis Frascina takes the Camino of Culture
To be a Pilgrim: Francis Frascina takes the Camino of Culture
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To be a Pilgrim: Francis Frascina takes the Camino of Culture

Frascina, Francis

Art monthly, 2015-10 (390), p.7

Britannia Art Publications Ltd

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8
1965-75 Redux: Francis Frascina on an unevenly remembered decade
1965-75 Redux: Francis Frascina on an unevenly remembered decade
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1965-75 Redux: Francis Frascina on an unevenly remembered decade

Frascina, Francis

Art monthly, 2010-04 (335), p.5

Britannia Art Publications Ltd

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