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1
A Shift-Invariant Latent Variable Model for Automatic Music Transcription
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A Shift-Invariant Latent Variable Model for Automatic Music Transcription

Benetos, Emmanouil ; Dixon, Simon

Computer music journal, 2012-12, Vol.36 (4), p.81-94 [Periódico revisado por pares]

55 Hayward St., Cambridge, MA 02142-1315, USA: MIT Press

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2
Malleability and Machines: Glenn Gould and the Technological Self
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Malleability and Machines: Glenn Gould and the Technological Self

JONES-IMHOTEP, EDWARD

Technology and culture, 2016-04, Vol.57 (2), p.287-321 [Periódico revisado por pares]

United States: The Johns Hopkins University Press

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3
Audio-Based Melody Categorization: Exploring Signal Representations and Evaluation Strategies
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Audio-Based Melody Categorization: Exploring Signal Representations and Evaluation Strategies

Kroher, Nadine ; Díaz-Báñez, José-Miguel

Computer music journal, 2017-12, Vol.41 (4), p.64-82 [Periódico revisado por pares]

One Rogers St., Cambridge, MA 02142-1209, USA: MIT Press

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4
Archival Traces of Applied Research: Language Planning and Psychotechnics in Interwar Germany
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Archival Traces of Applied Research: Language Planning and Psychotechnics in Interwar Germany

Tkaczyk, Viktoria

Technology and culture, 2019-04, Vol.60 (2), p.S64-S95 [Periódico revisado por pares]

United States: Johns Hopkins University Press

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5
The Problem of the Second Performer: Building a Community Around an Augmented Piano
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The Problem of the Second Performer: Building a Community Around an Augmented Piano

McPherson, Andrew P. ; Kim, Youngmoo E.

Computer music journal, 2012-12, Vol.36 (4), p.10-27 [Periódico revisado por pares]

55 Hayward St., Cambridge, MA 02142-1315, USA: MIT Press

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6
Hi-Fi Heritage: Recording Technology, Audio Engineering, and the Mediation of Authenticity in the Polish Revival of Traditional Music
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Hi-Fi Heritage: Recording Technology, Audio Engineering, and the Mediation of Authenticity in the Polish Revival of Traditional Music

Young, Michael A.

Journal of folklore research, 2020-01, Vol.57 (1), p.33-72 [Periódico revisado por pares]

Bloomington: Indiana University Press

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7
Directions in Music by Miles Davis: Using the Ecological Approach to Perception and Embodied Cognition to Analyze the Creative Use of Recording Technology in Bitches Brew
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Directions in Music by Miles Davis: Using the Ecological Approach to Perception and Embodied Cognition to Analyze the Creative Use of Recording Technology in Bitches Brew

Zagorski-Thomas, Simon

Technology and culture, 2018-10, Vol.59 (4), p.850-874 [Periódico revisado por pares]

United States: Johns Hopkins University Press

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8
Automated Violin Fingering Transcription Through Analysis of an Audio Recording
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Automated Violin Fingering Transcription Through Analysis of an Audio Recording

Maezawa, Akira ; Itoyama, Katsutoshi ; Komatani, Kazunori ; Ogata, Tetsuya ; Okuno, Hiroshi G.

Computer music journal, 2012-10, Vol.36 (3), p.57-72 [Periódico revisado por pares]

55 Hayward St., Cambridge, MA 02142-1315, USA: MIT Press

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9
"I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music
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"I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music

Hoffman, Elizabeth

Computer music journal, 2012-12, Vol.36 (4), p.40-58 [Periódico revisado por pares]

55 Hayward St., Cambridge, MA 02142-1315, USA: MIT Press

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10
The mechanization of performance studies
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The mechanization of performance studies

Brock-Nannestad, George

Early music, 2014-11, Vol.42 (4), p.623-630 [Periódico revisado por pares]

Oxford: Oxford University Press

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