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1
Malleability and Machines: Glenn Gould and the Technological Self
Malleability and Machines: Glenn Gould and the Technological Self
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Malleability and Machines: Glenn Gould and the Technological Self

JONES-IMHOTEP, EDWARD

Technology and culture, 2016-04, Vol.57 (2), p.287-321 [Periódico revisado por pares]

United States: The Johns Hopkins University Press

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2
Archival Traces of Applied Research: Language Planning and Psychotechnics in Interwar Germany
Archival Traces of Applied Research: Language Planning and Psychotechnics in Interwar Germany
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Archival Traces of Applied Research: Language Planning and Psychotechnics in Interwar Germany

Tkaczyk, Viktoria

Technology and culture, 2019-04, Vol.60 (2), p.S64-S95 [Periódico revisado por pares]

United States: Johns Hopkins University Press

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3
Directions in Music by Miles Davis: Using the Ecological Approach to Perception and Embodied Cognition to Analyze the Creative Use of Recording Technology in Bitches Brew
Directions in Music by Miles Davis: Using the Ecological Approach to Perception and Embodied Cognition to Analyze the Creative Use of Recording Technology in Bitches Brew
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Directions in Music by Miles Davis: Using the Ecological Approach to Perception and Embodied Cognition to Analyze the Creative Use of Recording Technology in Bitches Brew

Zagorski-Thomas, Simon

Technology and culture, 2018-10, Vol.59 (4), p.850-874 [Periódico revisado por pares]

United States: Johns Hopkins University Press

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4
Hi-Fi Heritage: Recording Technology, Audio Engineering, and the Mediation of Authenticity in the Polish Revival of Traditional Music
Hi-Fi Heritage: Recording Technology, Audio Engineering, and the Mediation of Authenticity in the Polish Revival of Traditional Music
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Hi-Fi Heritage: Recording Technology, Audio Engineering, and the Mediation of Authenticity in the Polish Revival of Traditional Music

Young, Michael A.

Journal of folklore research, 2020-01, Vol.57 (1), p.33-72 [Periódico revisado por pares]

Bloomington: Indiana University Press

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5
"I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music
"I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music
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"I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music

Hoffman, Elizabeth

Computer music journal, 2012-12, Vol.36 (4), p.40-58 [Periódico revisado por pares]

55 Hayward St., Cambridge, MA 02142-1315, USA: MIT Press

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6
The mechanization of performance studies
The mechanization of performance studies
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The mechanization of performance studies

Brock-Nannestad, George

Early music, 2014-11, Vol.42 (4), p.623-630 [Periódico revisado por pares]

Oxford: Oxford University Press

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7
THE MACHINE'S GOT RHYTHM
THE MACHINE'S GOT RHYTHM
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THE MACHINE'S GOT RHYTHM

Rehmeyer, Julie J

Science news (Washington), 2007-04, Vol.171 (16), p.248

Washington: Society for Science & the Public

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