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Isaiah 39 and the Motif of Human Trust in First Isaiah
Isaiah 39 and the Motif of Human Trust in First Isaiah
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Isaiah 39 and the Motif of Human Trust in First Isaiah

Cunha, Wilson de Angelo

Journal of Biblical literature, 2022-03, Vol.141 (1), p.105-120 [Periódico revisado por pares]

Atlanta: SBL Press

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2
"Stretch Out Your Hand!" Echo and Metalepsis in Mark's Sabbath Healing Controversy
"Stretch Out Your Hand!" Echo and Metalepsis in Mark's Sabbath Healing Controversy
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"Stretch Out Your Hand!" Echo and Metalepsis in Mark's Sabbath Healing Controversy

QUELLER, KURT

Journal of Biblical literature, 2010-12, Vol.129 (4), p.737-758 [Periódico revisado por pares]

Atlanta: Society of Biblical Literature

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3
Transformation and Demarcation of Jacob's "Flocks" in Genesis 30:25-43: Identity, Election, and the Role of the Divine
Transformation and Demarcation of Jacob's "Flocks" in Genesis 30:25-43: Identity, Election, and the Role of the Divine
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Transformation and Demarcation of Jacob's "Flocks" in Genesis 30:25-43: Identity, Election, and the Role of the Divine

PARK, SONG-MI SUZIE

The Catholic Biblical quarterly, 2010-10, Vol.72 (4), p.667-677 [Periódico revisado por pares]

Washington, DC: Catholic Biblical Association of America

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4
Moving On/Living On. . . Toward a Theory of Improvisation and Interdisciplinarity
Moving On/Living On. . . Toward a Theory of Improvisation and Interdisciplinarity
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Moving On/Living On. . . Toward a Theory of Improvisation and Interdisciplinarity

FISCHLIN, DANIEL

Mosaic (Winnipeg), 2018-12, Vol.51 (4), p.19-38 [Periódico revisado por pares]

Winnipeg: University of Manitoba

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5
From Peyton Plantation to Peyton Place: Gothic Tropes in Grace Metalious’s Infamous New England Novel
From Peyton Plantation to Peyton Place: Gothic Tropes in Grace Metalious’s Infamous New England Novel
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From Peyton Plantation to Peyton Place: Gothic Tropes in Grace Metalious’s Infamous New England Novel

ANDERSON, MELANIE R.

Mosaic (Winnipeg), 2019-03, Vol.52 (1), p.1-16 [Periódico revisado por pares]

Winnipeg: University of Manitoba

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6
What is or was Postmodern Fiction? Murakami after Borges
What is or was Postmodern Fiction? Murakami after Borges
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What is or was Postmodern Fiction? Murakami after Borges

STRAUS, NINA PELIKAN

Mosaic (Winnipeg), 2018-03, Vol.51 (1), p.87-102 [Periódico revisado por pares]

Winnipeg: University of Manitoba

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7
Her “whole soul was ear”: Novel Sound, Experimental Music, and Artistic Community in Mary Shelley's The Last Man
Her “whole soul was ear”: Novel Sound, Experimental Music, and Artistic Community in Mary Shelley's The Last Man
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Her “whole soul was ear”: Novel Sound, Experimental Music, and Artistic Community in Mary Shelley's The Last Man

Tooman, Zachary

Style (University Park, PA), 2017-06, Vol.51 (2), p.167-186 [Periódico revisado por pares]

DeKalb: Pennsylvania State University Press

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8
Job 2 and 42:7–10 as Narrative Bridge and Theological Pivot
Job 2 and 42:7–10 as Narrative Bridge and Theological Pivot
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Job 2 and 42:7–10 as Narrative Bridge and Theological Pivot

Cho, Paul K.-K

Journal of Biblical literature, 2017, Vol.136 (4), p.857-877 [Periódico revisado por pares]

Atlanta: Society of Biblical Literature

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9
Fortune's breath: rewriting the classical storm in the drama of Christopher Marlowe and William Shakespeare
Fortune's breath: rewriting the classical storm in the drama of Christopher Marlowe and William Shakespeare
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Fortune's breath: rewriting the classical storm in the drama of Christopher Marlowe and William Shakespeare

Preedy, Chloe Katherine

Marlowe studies, 2015-01, Vol.5, p.151-195

Fort Wayne: Sheffield Hallam University

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10
Greek Philosophical Discourse in the Book of Judith?
Greek Philosophical Discourse in the Book of Judith?
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Greek Philosophical Discourse in the Book of Judith?

Wills, Lawrence M.

Journal of Biblical literature, 2015-12, Vol.134 (4), p.753-773 [Periódico revisado por pares]

Atlanta: Society of Biblical Literature

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