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Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. London: Continuum, 2003. xxx+682 pp. ISBN 0–8264–6322–3
Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. London: Continuum, 2003. xxx+682 pp. ISBN 0–8264–6322–3
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Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. London: Continuum, 2003. xxx+682 pp. ISBN 0–8264–6322–3

Järviluoma, Helmi

Popular Music, 2004, Vol.23 (3), p.378-380 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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2
Continuum Encyclopedia of Popular Music of the World. Volume I: Media, Industry and Society. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. Continuum, 2003. xxxi+800 pp. ISBN 0–8264–6321–5
Continuum Encyclopedia of Popular Music of the World. Volume I: Media, Industry and Society. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. Continuum, 2003. xxxi+800 pp. ISBN 0–8264–6321–5
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Continuum Encyclopedia of Popular Music of the World. Volume I: Media, Industry and Society. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. Continuum, 2003. xxxi+800 pp. ISBN 0–8264–6321–5

Gonzalez, Juan Pablo

Popular Music, 2004, Vol.23 (3), p.373-377 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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3
The Cambridge Companion to the Guitar. Edited by Victor Anand Coelho. Cambridge: Cambridge University Press, 2003. 278 pp. ISBN 0–521–00040–8
The Cambridge Companion to the Guitar. Edited by Victor Anand Coelho. Cambridge: Cambridge University Press, 2003. 278 pp. ISBN 0–521–00040–8
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The Cambridge Companion to the Guitar. Edited by Victor Anand Coelho. Cambridge: Cambridge University Press, 2003. 278 pp. ISBN 0–521–00040–8

Behr, Adam

Popular Music, 2004, Vol.23 (3), p.389-391 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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4
I Sing the Difference: Identity and Commitment in Latin American Song. A Symposium in Honour of Robert Pring-Mill. IPM: Institute of Popular Music, University of Liverpool. ISBN 1–898806–06–3. Copies from the IPM, University of Liverpool; Roxby Building, Chatham Street, Liverpool L69 7ZT
I Sing the Difference: Identity and Commitment in Latin American Song. A Symposium in Honour of Robert Pring-Mill. IPM: Institute of Popular Music, University of Liverpool. ISBN 1–898806–06–3. Copies from the IPM, University of Liverpool; Roxby Building, Chatham Street, Liverpool L69 7ZT
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I Sing the Difference: Identity and Commitment in Latin American Song. A Symposium in Honour of Robert Pring-Mill. IPM: Institute of Popular Music, University of Liverpool. ISBN 1–898806–06–3. Copies from the IPM, University of Liverpool; Roxby Building, Chatham Street, Liverpool L69 7ZT

Monk, Sue

Popular Music, 2004, Vol.23 (3), p.380-382 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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5
Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community. By Keila Diehl. Berkeley, Los Angeles, London: University of California Press, 2002. 340 pp. ISBN 0–520–23043–4 (hardcover) ISBN 0–520–23044–2 (paperback)
Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community. By Keila Diehl. Berkeley, Los Angeles, London: University of California Press, 2002. 340 pp. ISBN 0–520–23043–4 (hardcover) ISBN 0–520–23044–2 (paperback)
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Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community. By Keila Diehl. Berkeley, Los Angeles, London: University of California Press, 2002. 340 pp. ISBN 0–520–23043–4 (hardcover) ISBN 0–520–23044–2 (paperback)

Pegg, Carole

Popular Music, 2004, Vol.23 (3), p.384-387 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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6
Popular Music in Contemporary France: Authenticity, Politics, Debate. By David L. Looseley. Berg, 2003. 256 pp. ISBN 1 85973 636 (paperback), ISBN 1 85973 631 9 (hardback)
Popular Music in Contemporary France: Authenticity, Politics, Debate. By David L. Looseley. Berg, 2003. 256 pp. ISBN 1 85973 636 (paperback), ISBN 1 85973 631 9 (hardback)
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Popular Music in Contemporary France: Authenticity, Politics, Debate. By David L. Looseley. Berg, 2003. 256 pp. ISBN 1 85973 636 (paperback), ISBN 1 85973 631 9 (hardback)

Regev, Motti

Popular Music, 2004, Vol.23 (3), p.382-384 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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7
Analyzing Popular Music. Edited by Allan Moore. Cambridge: Cambridge University Press, 2003. 280 pp. ISBN 0–521–77120–X
Analyzing Popular Music. Edited by Allan Moore. Cambridge: Cambridge University Press, 2003. 280 pp. ISBN 0–521–77120–X
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Analyzing Popular Music. Edited by Allan Moore. Cambridge: Cambridge University Press, 2003. 280 pp. ISBN 0–521–77120–X

Gloag, Kenneth

Popular Music, 2004, Vol.23 (3), p.387-389 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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8
Goth: Identity, Style and Subculture. By Paul Hodkinson. Oxford and New York: Berg, 2002. 288 pp. ISBN 1 85973 605 X (paper), ISBN 1 85973 600 9 (cloth)
Goth: Identity, Style and Subculture. By Paul Hodkinson. Oxford and New York: Berg, 2002. 288 pp. ISBN 1 85973 605 X (paper), ISBN 1 85973 600 9 (cloth)
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Goth: Identity, Style and Subculture. By Paul Hodkinson. Oxford and New York: Berg, 2002. 288 pp. ISBN 1 85973 605 X (paper), ISBN 1 85973 600 9 (cloth)

Egan, Vincent

Popular Music, 2004, Vol.23 (3), p.391-393 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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