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| Result Number | Material Type | Add to My Shelf Action | Record Details and Options |
|---|---|---|---|
| 1 |
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The CEO of IMAX on How It Became a Hollywood PowerhouseGelfond, RichardHarvard business review, 2013-07, Vol.91 (7,8), p.36Boston: Harvard Business ReviewTexto completo disponível |
| 2 |
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Cecil B. DeMille was rightSoloyeichik, Meir YCommentary (New York), 2017-04, Vol.143 (4), p.11New York: Commentary, IncTexto completo disponível |
| 3 |
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Print takes a starring roleJordan, RichardPrint week, 2011-09, p.18London: Mark Allen Group LtdTexto completo disponível |
| 4 |
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Marvel's Blockbuster MachineHarrison, Spencer ; Carlsen, Arne ; Škerlavaj, MihaHarvard business review, 2019-07Boston: Harvard Business ReviewTexto completo disponível |
| 5 |
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Print's Past: City's typographer gets movie scriptArcher, CarolinePrint week, 2008-10, p.71London: Mark Allen Group LtdTexto completo disponível |
| 6 |
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The Color-Space ConundrumBankston, DouglasAmerican cinematographer, 2005-01, p.88Texto completo disponível |
| 7 |
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The art of resistance: the 19th Berwick Mini & Media Arts FestivalStaab, LauraSight and sound (London), 2024-05, Vol.34 (4), p.87-87London: British Film InstituteTexto completo disponível |
| 8 |
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A trip to the movies: 100 years of film as artHinrichs, BruceThe Humanist (Buffalo, N.Y.), 1996-01, Vol.56 (1), p.7Buffalo, N.Y: American Humanist AssociationTexto completo disponível |
| 9 |
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Art, artlessness, and Hollywood.(Critical essay)Teachout, TerryCommentary, 2008-10, Vol.126 (3), p.46New York: Commentary, IncTexto completo disponível |
| 10 |
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VENICECorless, KieronSight and sound (London), 2022-11, Vol.32 (9), p.28-31London: British Film InstituteTexto completo disponível |
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