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1
What was Dogme 95?
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Artigo
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What was Dogme 95?

Langkjr, Birger

Film international (Göteborg, Sweden), 2006-02, Vol.4 (1), p.34-43 [Periódico revisado por pares]

Bristol: Intellect

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2
The “Black Man's Vision of the World”: Rediscovering Black Arts Filmmaking and the Struggle for a Black Cinematic Aesthetic
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Artigo
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The “Black Man's Vision of the World”: Rediscovering Black Arts Filmmaking and the Struggle for a Black Cinematic Aesthetic

Lierow, Lars

Black camera : the newsletter of the Black Film Center/Archives, 2013-04, Vol.4 (2), p.3-21 [Periódico revisado por pares]

Bloomington: Indiana University Press

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3
‘New Gay Sincerity’ and Andrew Haigh’s Weekend (UK, 2011)
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‘New Gay Sincerity’ and Andrew Haigh’s Weekend (UK, 2011)

Moor, Andrew

Film studies, 2018-11, Vol.19 (1), p.4-19 [Periódico revisado por pares]

Manchester: Manchester University Press

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4
Objectivity, Speculative Realism, and the Cinematic Apparatus
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Artigo
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Objectivity, Speculative Realism, and the Cinematic Apparatus

Birks, Chelsea

Cinema journal, 2018-07, Vol.57 (4), p.3-24 [Periódico revisado por pares]

Lawrence: University of Texas Press

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5
Missing water: imagination and empathy in Asian Australian 'boat stories' on screen
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Artigo
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Missing water: imagination and empathy in Asian Australian 'boat stories' on screen

Khoo, Olivia

Continuum (Mount Lawley, W.A.), 2014-01, Vol.28 (5), p.605-615 [Periódico revisado por pares]

Abingdon: Routledge

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6
Allegory and Accommodation: Vertov's "Three Songs of Lenin" (1934) as a Stalinist Film
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Artigo
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Allegory and Accommodation: Vertov's "Three Songs of Lenin" (1934) as a Stalinist Film

MacKay, John

Film history (New York, N.Y.), 2006-01, Vol.18 (4), p.376-391 [Periódico revisado por pares]

Sydney: Indiana University Press and John Libbey Publishing

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7
Finding Borderland: Intermediality in the Films of Marc Forster
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Finding Borderland: Intermediality in the Films of Marc Forster

Mack, Jonathan

Cinema journal, 2017-04, Vol.56 (3), p.24-46

Lawrence: University of Texas Press

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8
Uruguay Disappears: Small Cinemas, Control Z Films, and the Aesthetics and Politics of Auto-Erasure
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Artigo
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Uruguay Disappears: Small Cinemas, Control Z Films, and the Aesthetics and Politics of Auto-Erasure

Ma ; Montanez, Maria Soledad

Cinema journal, 2013-10, Vol.53 (1), p.26-51

Austin, Tex., etc: University of Texas Press

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9
Soviet Hollywood: The Culture Industry That Wasn't
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Artigo
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Soviet Hollywood: The Culture Industry That Wasn't

Belodubrovskaya, Maria

Cinema journal, 2014-04, Vol.53 (3), p.100-122

Austin, Tex., etc: University of Texas Press

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10
Expressionist Themes in "Strangers on a Train"
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Expressionist Themes in "Strangers on a Train"

Dellolio, Peter J.

Literature film quarterly, 2003-01, Vol.31 (4), p.260-269 [Periódico revisado por pares]

Salisbury: Salisbury State College

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