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Easy and fundamental instructions Whereby either vocal or instrumental performers unacquainted with composition may from the mere knowledge of the most common intervals in music, learn how to introduce extempore embellishments or variations; as also ornamental cadences, with propriety, tast, and regularity. Translated from a famous treatise on music, written by John Joachin Quantz. Composer to His Majesty the King of Prussia
Easy and fundamental instructions Whereby either vocal or instrumental performers unacquainted with composition may from the mere knowledge of the most common intervals in music, learn how to introduce extempore embellishments or variations; as also ornamental cadences, with propriety, tast, and regularity. Translated from a famous treatise on music, written by John Joachin Quantz. Composer to His Majesty the King of Prussia
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Easy and fundamental instructions Whereby either vocal or instrumental performers unacquainted with composition may from the mere knowledge of the most common intervals in music, learn how to introduce extempore embellishments or variations; as also ornamental cadences, with propriety, tast, and regularity. Translated from a famous treatise on music, written by John Joachin Quantz. Composer to His Majesty the King of Prussia

Quantz, Johann

Eighteenth Century Collections Online, 1775

London: Printed by Welcker in Gerrard Street St. Ann's Soho where may be had, practical rules for learning composition by John Joseph Feux 10-6. The art of learning the harpsichord by Heck 10-6. A treatise on singing by Dr. Nares 3-6. &c. &c. &c

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2
Précis de composition
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Précis de composition

Henri Busser 1872-1973

Paris Durand c1943

Localização: ECA - Escola de Comunicações e Artes    (781.61 B981p )(Acessar)

3
An essay on practical musical composition, according to the nature of that science and the principles of the greatest musical authors. By Augustus Frederic Christopher Kollmann, organist of His Majesty's German Chapel at St. James
An essay on practical musical composition, according to the nature of that science and the principles of the greatest musical authors. By Augustus Frederic Christopher Kollmann, organist of His Majesty's German Chapel at St. James
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An essay on practical musical composition, according to the nature of that science and the principles of the greatest musical authors. By Augustus Frederic Christopher Kollmann, organist of His Majesty's German Chapel at St. James

Kollmann, Augustus

Eighteenth Century Collections Online, 1799

London: Printed for the author, (Friary, St. James's palace,) and to be had of him; at Mr. Dale's, No. 19, Cornhill, and No. 132, Oxford Street;-at Messrs. Longman, Clementi, and Co. No. 26, Cheapside;-at Mr. Smart's, the corner of Argyll Street, Oxford Street; and at the other principal music shops; also at Mr. Low's, No. 7, Berwick Street, Soho

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4
Cours de composition musicale
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Cours de composition musicale

Vincent d' Indy 1851-1931 Auguste Sérieyx 1865-1949

Paris Durand 1909-

Localização: IEB - Inst. Estudos Brasileiros  MÁRIO DE ANDRADE  (MA 781.61 I42c v.2 )(Acessar)

5
Cours de composition musicale
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Cours de composition musicale

Vincent d' Indy 1851-1931 Auguste Sérieyx 1865-1949

Paris Durand 1912

Localização: IEB - Inst. Estudos Brasileiros  MÁRIO DE ANDRADE  (MA 781.61 I42c v.1 )(Acessar)

6
A course of instruction in instrumentation, by Dr. S. Jadassohn. Tr. from the German (under the careful supervision of the author) by Harry P. Wilkins
A course of instruction in instrumentation, by Dr. S. Jadassohn. Tr. from the German (under the careful supervision of the author) by Harry P. Wilkins
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A course of instruction in instrumentation, by Dr. S. Jadassohn. Tr. from the German (under the careful supervision of the author) by Harry P. Wilkins

Jadassohn, Salomon, 1831-1902

Germany: Breitkopf and Härtel, 1899 1899

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7
Syllabus tuition, embracing all studies of music: vocal, instrumental, theory, harmony, composition, musical history and acoustics / Peterborough Conservatory of Music
Syllabus tuition, embracing all studies of music: vocal, instrumental, theory, harmony, composition, musical history and acoustics / Peterborough Conservatory of Music
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Syllabus tuition, embracing all studies of music: vocal, instrumental, theory, harmony, composition, musical history and acoustics / Peterborough Conservatory of Music

Peterborough Conservatory of Music

Ontario 1905

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8
Scholastic Awards for Music Composition
Scholastic Awards for Music Composition
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Scholastic Awards for Music Composition

Music educators journal, 1944-05, Vol.30 (6), p.58-59 [Periódico revisado por pares]

Los Angeles, CA: Music Educators National Conference

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9
Scholastic Awards for Music Composition
Scholastic Awards for Music Composition
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Scholastic Awards for Music Composition

Music educators journal, 1943-09, Vol.30 (1), p.22-22 [Periódico revisado por pares]

Los Angeles, CA: SAGE Publications

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10
Scholastic Awards for Music Composition
Scholastic Awards for Music Composition
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Scholastic Awards for Music Composition

Music educators journal, 1944-02, Vol.30 (4), p.51-51 [Periódico revisado por pares]

Reston, Va., etc: Music Educators National Conference

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Deste Autor:

  1. Sérieyx, A
  2. Indy, V
  3. Sanchez de Fuentes Y Pelaez, E
  4. Kyne, G
  5. Busser, H

Neste Assunto:

  1. Music Composition
  2. Composers
  3. Music
  4. Musical Performance
  5. Musical Aesthetics

  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

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