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MULTIDISCIPLINARITY AND REFERENCE AS A SOLUTION TO INWARD-FOCUSED APPROACHES IN MUSIC COMPOSITIONLlach, FedericoTempo (London), 2018-10, Vol.72 (286), p.53-63 [Periódico revisado por pares]Cambridge, UK: Cambridge University PressTexto completo disponível |
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Material Type: Artigo
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Peculiar VoicesGoebbels, Heiner ; Winnacker, SusanneTDR : Drama review, 2011-03, Vol.55 (1), p.46-51 [Periódico revisado por pares]55 Hayward St., Cambridge, MA 02142-1315, USA: MIT PressTexto completo disponível |
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Material Type: Artigo
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Winds, cupids, little zephyrs and sirens: Monteverdi and "Le nozze di Tetide" (1616-1617)Carter, TimEarly music, 2011-11, Vol.39 (4), p.489-502 [Periódico revisado por pares]Oxford: Oxford University PressTexto completo disponível |
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Material Type: Artigo
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Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’Savage, RogerMusic & letters, 2008-02, Vol.89 (1), p.18-55 [Periódico revisado por pares]Oxford: Oxford University PressTexto completo disponível |
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Material Type: Artigo
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Jani Christou and the Philosophy of Meta-MusicZOULIATIS, COSTISRevista portuguesa de filosofia, 2018-12, Vol.74 (4), p.1493-1506 [Periódico revisado por pares]Revista Portuguesa de FilosofiaTexto completo disponível |
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Material Type: Artigo
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The Composer as Dramatist: Handel’s Contribution to the Libretto of ‘RodelindaJones, Andrew V.Music & letters, 2007-02, Vol.88 (1), p.49-77 [Periódico revisado por pares]England: Oxford University PressTexto completo disponível |
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Material Type: Artigo
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From “Trivial Little Comedy” to “Legitimate Magic”: Music and the Making ofThe Glass MenagerieGabe C. AlfieriAmerican music (Champaign, Ill.), 2017-07, Vol.35 (2), p.143-171 [Periódico revisado por pares]University of Illinois PressTexto completo disponível |
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Material Type: Artigo
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Decoding Harry Partch's Aesthetic: Satire, Duality, andWater! WaterAndrew GranadeAmerican music (Champaign, Ill.), 2017-07, Vol.35 (2), p.172-196 [Periódico revisado por pares]University of Illinois PressTexto completo disponível |
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Material Type: Artigo
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Rehearsal for the opera—remarks on a lost composition by Johann Kuhnau from 1683Rathey, MarkusEarly music, 2014-08, Vol.42 (3), p.409-420 [Periódico revisado por pares]Oxford: Oxford University PressTexto completo disponível |
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Material Type: Artigo
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“My Answer to What Music Theatre Can Be”: Iconoclasm and Entrepreneurship in Steve Reich and Beryl Korot'sThe CaveRyan EbrightAmerican music (Champaign, Ill.), 2017-04, Vol.35 (1), p.29-50 [Periódico revisado por pares]University of Illinois PressTexto completo disponível |