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Paradise Lost nor Regained: Social Composition of Theatre Audiences in the Long Nineteenth Century
Paradise Lost nor Regained: Social Composition of Theatre Audiences in the Long Nineteenth Century
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Paradise Lost nor Regained: Social Composition of Theatre Audiences in the Long Nineteenth Century

Gras, Henk ; van Vliet, Harry

Journal of social history, 2004-12, Vol.38 (2), p.471-512 [Periódico revisado por pares]

Oxford: Oxford University Press

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2
The Question of Translation in Taiwanese Colonial Cinematic Space
The Question of Translation in Taiwanese Colonial Cinematic Space
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The Question of Translation in Taiwanese Colonial Cinematic Space

Chiu, Kuei-Fen

The Journal of Asian studies, 2011-02, Vol.70 (1), p.77-97 [Periódico revisado por pares]

New York, USA: Cambridge University Press

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3
“High and Aloof”: Verse, Violence, and the Audience in Djuna Barnes’s The Antiphon
“High and Aloof”: Verse, Violence, and the Audience in Djuna Barnes’s The Antiphon
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“High and Aloof”: Verse, Violence, and the Audience in Djuna Barnes’s The Antiphon

Goody, Alex

Modern drama, 2014-09, Vol.57 (3), p.339-363 [Periódico revisado por pares]

Toronto: University of Toronto Press

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4
Filming Fairies: Popular Film, Audience Response and Meaning in Contemporary Fairy Lore
Filming Fairies: Popular Film, Audience Response and Meaning in Contemporary Fairy Lore
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Filming Fairies: Popular Film, Audience Response and Meaning in Contemporary Fairy Lore

Wood, Juliette

Folklore (London), 2006-12, Vol.117 (3), p.279-296 [Periódico revisado por pares]

Basingstoke: Routledge

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