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1
The Aesthetics of Doom: Nature, Science, and Art in Henry Adams's Dynamic Theory of History
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The Aesthetics of Doom: Nature, Science, and Art in Henry Adams's Dynamic Theory of History

Sommer, Robert F.

The New England quarterly, 2021-06, Vol.94 (2), p.223-264 [Periódico revisado por pares]

One Rogers Street, Cambridge, MA 02142-1209, USA: MIT Press

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2
Green Glass and Emeralds: Citation, Performance, and the Dynamics of Ethnic Parody in "Thoroughly Modern Millie"
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Green Glass and Emeralds: Citation, Performance, and the Dynamics of Ethnic Parody in "Thoroughly Modern Millie"

Pao, Angela C.

Melus, 2011-12, Vol.36 (4), p.35-60 [Periódico revisado por pares]

Oxford: Society for the Study of the Multi-Ethnic Literature of the United States and the University of Connecticut

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3
"The mind is a strange and terrible vehicle": Fractured Time and Multidimensional Sound in "No Name in the Street"
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Artigo
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"The mind is a strange and terrible vehicle": Fractured Time and Multidimensional Sound in "No Name in the Street"

Mathes, Carter

African American review, 2013-12, Vol.46 (4), p.587-604 [Periódico revisado por pares]

Saint Louis: Johns Hopkins University Press

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4
'The Voice of the Innocent Blood Cries Aloud from the Ground to Heaven': Speaking and Discovering Infanticide in the Early American Northeast
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Artigo
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'The Voice of the Innocent Blood Cries Aloud from the Ground to Heaven': Speaking and Discovering Infanticide in the Early American Northeast

Rosen, Rebecca M

Early American literature, 2022, Vol.57 (1), p.85-122 [Periódico revisado por pares]

Chapel Hill: The University of North Carolina Press

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5
"This Strange Communion": Surveillance and Spectatorship in Ann Petry's "The Street"
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Artigo
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"This Strange Communion": Surveillance and Spectatorship in Ann Petry's "The Street"

Hicks, Heather

African American review, 2003-03, Vol.37 (1), p.21-37 [Periódico revisado por pares]

USA: Saint Louis University

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6
Agonistic Audiences: Comic Play in the Early National Theater
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Agonistic Audiences: Comic Play in the Early National Theater

Banta, Emily

American literature, 2020-09, Vol.92 (3), p.429-455 [Periódico revisado por pares]

Durham: Duke University Press

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7
Immunity’s Racial Empire: Virality, Melancholy, Whiteness
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Immunity’s Racial Empire: Virality, Melancholy, Whiteness

Alexander, Travis

American literature, 2020-09, Vol.92 (3), p.513-541 [Periódico revisado por pares]

Durham: Duke University Press

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8
Elevator Fiction: Robert Coover, Colson Whitehead, and the Sense of Infrastructure
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Artigo
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Elevator Fiction: Robert Coover, Colson Whitehead, and the Sense of Infrastructure

Morrison, Spencer

The Arizona quarterly, 2017-09, Vol.73 (3), p.101-125 [Periódico revisado por pares]

Tucson: Johns Hopkins University Press

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9
Ugly Data in the Age of Weather Satellites
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Ugly Data in the Age of Weather Satellites

Grossman, Sara J.

American literature, 2016-12, Vol.88 (4), p.815-837 [Periódico revisado por pares]

Durham: Duke University Press

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10
“To pile like Thunder”: The Advantages of Reading Emily Dickinson’s Poetry from a Cognitive Perspective
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“To pile like Thunder”: The Advantages of Reading Emily Dickinson’s Poetry from a Cognitive Perspective

Freeman, Margaret H ; McLoughlin, Nigel

The Emily Dickinson journal, 2021-01, Vol.30 (1), p.1-26 [Periódico revisado por pares]

Baltimore: Johns Hopkins University Press

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