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1
Poe, Sympathetic Ink, and Chemical Landscapes in Nineteenth-Century America
Poe, Sympathetic Ink, and Chemical Landscapes in Nineteenth-Century America
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Poe, Sympathetic Ink, and Chemical Landscapes in Nineteenth-Century America

Couch, Daniel Diez

The Arizona quarterly, 2019-09, Vol.75 (3), p.1-26 [Periódico revisado por pares]

Tucson: Johns Hopkins University Press

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2
Literary Politics, Partisanship, and Poe’s Tales of the Grotesque and Arabesque
Literary Politics, Partisanship, and Poe’s Tales of the Grotesque and Arabesque
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Literary Politics, Partisanship, and Poe’s Tales of the Grotesque and Arabesque

ARMIENTO, AMY BRANAM

Poe studies (2008), 2018-01, Vol.51 (1), p.90-109 [Periódico revisado por pares]

Pullman: Johns Hopkins University Press and Washington State University

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3
The Voyeur in the Confessional: Reader, Hoax, and Unity of Effect in Poe’s Short Fiction
The Voyeur in the Confessional: Reader, Hoax, and Unity of Effect in Poe’s Short Fiction
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The Voyeur in the Confessional: Reader, Hoax, and Unity of Effect in Poe’s Short Fiction

DYKSTAL, ANDREW

Poe studies (2008), 2018-01, Vol.51 (1), p.3-21 [Periódico revisado por pares]

Pullman: Johns Hopkins University Press and Washington State University

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4
“The heresy of The Didactic”: Poe, the Literary Field, and the Aestheticization of the Market
“The heresy of The Didactic”: Poe, the Literary Field, and the Aestheticization of the Market
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“The heresy of The Didactic”: Poe, the Literary Field, and the Aestheticization of the Market

Martinez, Carlo

The Arizona quarterly, 2018-06, Vol.74 (2), p.89-112 [Periódico revisado por pares]

Tucson: Johns Hopkins University Press

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5
Poe as “A Critical Jack Ass”
Poe as “A Critical Jack Ass”
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Poe as “A Critical Jack Ass”

Kopley, Richard

The Edgar Allan Poe review, 2017-11, Vol.18 (2), p.209-217 [Periódico revisado por pares]

Pennsylvania State University Press

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6
The Southern Origins of Bohemian New York: Edward Howland, Ada Clare, and Edgar Allan Poe
The Southern Origins of Bohemian New York: Edward Howland, Ada Clare, and Edgar Allan Poe
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The Southern Origins of Bohemian New York: Edward Howland, Ada Clare, and Edgar Allan Poe

WHITLEY, EDWARD

Poe studies (2008), 2016-01, Vol.49 (1), p.35-49 [Periódico revisado por pares]

Pullman: Johns Hopkins University Press and Washington State University

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7
Prosthetic Colonialism: Indian Removal, European Imperialism, and International Trade in Poe’s “The Man That Was Used Up”
Prosthetic Colonialism: Indian Removal, European Imperialism, and International Trade in Poe’s “The Man That Was Used Up”
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Prosthetic Colonialism: Indian Removal, European Imperialism, and International Trade in Poe’s “The Man That Was Used Up”

CHACÓN, HEATHER

Poe studies (2008), 2017-01, Vol.50 (1), p.46-68 [Periódico revisado por pares]

Pullman: Johns Hopkins University Press and Washington State University

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8
Poe, Brennan Farm, and the Literary Life
Poe, Brennan Farm, and the Literary Life
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Poe, Brennan Farm, and the Literary Life

PEEPLES, SCOTT

Poe studies (2008), 2016-01, Vol.49 (1), p.5-18 [Periódico revisado por pares]

Pullman: Johns Hopkins University Press and Washington State University

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9
If Bird or Devil: Meta-Plagiarism in “The Raven”
If Bird or Devil: Meta-Plagiarism in “The Raven”
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If Bird or Devil: Meta-Plagiarism in “The Raven”

Redmond, Matthew

The Edgar Allan Poe review, 2018-04, Vol.19 (1), p.88-103 [Periódico revisado por pares]

Pennsylvania State University Press

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10
“A Condition To Be Criticized”: Edgar Allan Poe and the Vocation of Antebellum Criticism
“A Condition To Be Criticized”: Edgar Allan Poe and the Vocation of Antebellum Criticism
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“A Condition To Be Criticized”: Edgar Allan Poe and the Vocation of Antebellum Criticism

Gordon, Adam

The Arizona quarterly, 2012-06, Vol.68 (2), p.1-31 [Periódico revisado por pares]

Tucson: Johns Hopkins University Press

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