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'Throbb[ing] with a consciousness of a knowledge that appalled her': Embodiment and Female Subjectivity in the Desert Romance
'Throbb[ing] with a consciousness of a knowledge that appalled her': Embodiment and Female Subjectivity in the Desert Romance
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'Throbb[ing] with a consciousness of a knowledge that appalled her': Embodiment and Female Subjectivity in the Desert Romance

Deal, Clare H.

Women (Oxford, England), 2015-04, Vol.26 (1-2), p.75-95 [Periódico revisado por pares]

Abingdon: Routledge

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2
Old Norms in New Bottles: Constructions of Gender and Ethnicity in the Early Tamil Novel
Old Norms in New Bottles: Constructions of Gender and Ethnicity in the Early Tamil Novel
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Old Norms in New Bottles: Constructions of Gender and Ethnicity in the Early Tamil Novel

Raman, Sita Anantha

Journal of women's history, 2000-10, Vol.12 (3), p.93-119 [Periódico revisado por pares]

Bloomington, Ind: Johns Hopkins University Press

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3
'she found a way, left the child': 'child-shifting' as the plantation's affects and love's paradox in Donna Hemans' "River Woman"
'she found a way, left the child': 'child-shifting' as the plantation's affects and love's paradox in Donna Hemans' "River Woman"
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'she found a way, left the child': 'child-shifting' as the plantation's affects and love's paradox in Donna Hemans' "River Woman"

Scafe, Suzanne

Feminist review, 2013-07, Vol.104 (104), p.61-79 [Periódico revisado por pares]

London: Palgrave Macmillan

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4
In Her Own Image: Literary and Visual Representations of Girlhood in Toni Morrison's The Bluest Eye and Jamaica Kincaid's Annie John
In Her Own Image: Literary and Visual Representations of Girlhood in Toni Morrison's The Bluest Eye and Jamaica Kincaid's Annie John
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In Her Own Image: Literary and Visual Representations of Girlhood in Toni Morrison's The Bluest Eye and Jamaica Kincaid's Annie John

Vasquez, Sam

Meridians (Middletown, Conn.), 2014-01, Vol.12 (1), p.58-87 [Periódico revisado por pares]

Durham: Duke University Press

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