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11
Exposure to queer characters in Konigsberg’s Openly Straight through social messaging
Exposure to queer characters in Konigsberg’s Openly Straight through social messaging
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Exposure to queer characters in Konigsberg’s Openly Straight through social messaging

Uys, Matthys J ; Romylos, Salomé ; Nel, Carisma

Literator, 2021, Vol.42 (1), p.e1-e9 [Periódico revisado por pares]

Potchefstroom: African Online Scientific Information Systems (Pty) Ltd t/a AOSIS

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12
Debunking patriarchal assumptions about motherhood as represented in selected Southern African literature
Debunking patriarchal assumptions about motherhood as represented in selected Southern African literature
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Debunking patriarchal assumptions about motherhood as represented in selected Southern African literature

Rubaya, Clemence

Literator, 2022, Vol.43 (1), p.1-8 [Periódico revisado por pares]

Potchefstroom: AOSIS

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13
Kaka country : an intertextual reading of national dysfunction in Bulawayo’s We Need New Names and Jinga’s One Foreigner’s Ordeal
Kaka country : an intertextual reading of national dysfunction in Bulawayo’s We Need New Names and Jinga’s One Foreigner’s Ordeal
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Kaka country : an intertextual reading of national dysfunction in Bulawayo’s We Need New Names and Jinga’s One Foreigner’s Ordeal

Mavengano, Esther ; Hove, Muchativugwa L.

Literator, 2019, Vol.40 (1), p.1-12 [Periódico revisado por pares]

Potchefstroom: AOSIS

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14
They don’t make plus size spacesuits : a fat studies analysis of selected literary texts
They don’t make plus size spacesuits : a fat studies analysis of selected literary texts
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They don’t make plus size spacesuits : a fat studies analysis of selected literary texts

Murray, Jessica

Literator, 2020, Vol.41 (1), p.1-7 [Periódico revisado por pares]

Potchefstroom: AOSIS

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15
The translingual subjects: Shaping identities and deconstructing rainbowism in One Foreigner’s Ordeal
The translingual subjects: Shaping identities and deconstructing rainbowism in One Foreigner’s Ordeal
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The translingual subjects: Shaping identities and deconstructing rainbowism in One Foreigner’s Ordeal

Mavengano, Esther ; Hove, Muchativugwa L

Literator, 2020, Vol.41 (1), p.e1-e11 [Periódico revisado por pares]

Potchefstroom: African Online Scientific Information Systems (Pty) Ltd t/a AOSIS

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16
Imperialism and the abject gothic double : Jane Goodwin Austin's 'After Three Thousand Years'
Imperialism and the abject gothic double : Jane Goodwin Austin's 'After Three Thousand Years'
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Imperialism and the abject gothic double : Jane Goodwin Austin's 'After Three Thousand Years'

Kreuiter, Allyson

Literator, 2020, Vol.41 (1), p.1-9 [Periódico revisado por pares]

Potchefstroom: AOSIS

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17
An African’s faith : discourse and disclosure in selected works by Sindiwe Magona
An African’s faith : discourse and disclosure in selected works by Sindiwe Magona
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An African’s faith : discourse and disclosure in selected works by Sindiwe Magona

Shober, Dianne

Literator, 2019, Vol.40 (1), p.1-7 [Periódico revisado por pares]

Potchefstroom: AOSIS

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18
Notes on memory culture and the (un)translatable, with illustrative reference to Elfriede Jelinek’s Die Kinder der Toten (1995)
Notes on memory culture and the (un)translatable, with illustrative reference to Elfriede Jelinek’s Die Kinder der Toten (1995)
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Notes on memory culture and the (un)translatable, with illustrative reference to Elfriede Jelinek’s Die Kinder der Toten (1995)

Van den Berg, Cilliers

Literator, 2019, Vol.40 (1), p.1-9 [Periódico revisado por pares]

Potchefstroom: AOSIS

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19
Reframing migrant identities : namelessness and impersonation in Dinaw Mengestu’s All Our Names
Reframing migrant identities : namelessness and impersonation in Dinaw Mengestu’s All Our Names
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Reframing migrant identities : namelessness and impersonation in Dinaw Mengestu’s All Our Names

Tembo, Nick M.

Literator, 2019, Vol.40 (1), p.1-6 [Periódico revisado por pares]

Potchefstroom: AOSIS

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20
‘We live one in another’: The Gothic and uncanny representation of the female double in The Crime of Laura Sarelle by Joseph Shearing (pseudonym of Marjorie Bowen)
‘We live one in another’: The Gothic and uncanny representation of the female double in The Crime of Laura Sarelle by Joseph Shearing (pseudonym of Marjorie Bowen)
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Artigo 		Adicionar ao Meu Espaço

‘We live one in another’: The Gothic and uncanny representation of the female double in The Crime of Laura Sarelle by Joseph Shearing (pseudonym of Marjorie Bowen)

Kreuiter, Allyson

Literator, 2019, Vol.40 (1), p.1-10 [Periódico revisado por pares]

Potchefstroom: AOSIS

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