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WHEN MOTHERS ATE THEIR CHILDREN: WARTIME MEMORY AND THE LANGUAGE OF FOOD IN SYRIA AND LEBANON
WHEN MOTHERS ATE THEIR CHILDREN: WARTIME MEMORY AND THE LANGUAGE OF FOOD IN SYRIA AND LEBANON
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WHEN MOTHERS ATE THEIR CHILDREN: WARTIME MEMORY AND THE LANGUAGE OF FOOD IN SYRIA AND LEBANON

Qattan, Najwa al

International journal of Middle East studies, 2014-11, Vol.46 (4), p.719-736 [Periódico revisado por pares]

New York, USA: Cambridge University Press

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2
A Short History of Oil Cultures: Or, the Marriage of Catastrophe and Exuberance
A Short History of Oil Cultures: Or, the Marriage of Catastrophe and Exuberance
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A Short History of Oil Cultures: Or, the Marriage of Catastrophe and Exuberance

BUELL, FREDERICK

Journal of American studies, 2012-05, Vol.46 (2), p.273-293 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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3
'Sparks of pohutukawa tree': The goddess in the writing of Robin Hyde
'Sparks of pohutukawa tree': The goddess in the writing of Robin Hyde
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'Sparks of pohutukawa tree': The goddess in the writing of Robin Hyde

Whaley, Susannah

Journal of New Zealand literature, 2020-01, Vol.38 (1), p.139-156 [Periódico revisado por pares]

Wellington, NZ: Victoria University of Wellington

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4
‘A Pin to See the Peepshow’: Culture, Fiction and Selfhood in Edith Thompson’s Letters, 1921–1922
‘A Pin to See the Peepshow’: Culture, Fiction and Selfhood in Edith Thompson’s Letters, 1921–1922
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‘A Pin to See the Peepshow’: Culture, Fiction and Selfhood in Edith Thompson’s Letters, 1921–1922

Houlbrook, Matt

Past & present, 2010-05, Vol.207 (1), p.215-249 [Periódico revisado por pares]

Oxford: Oxford University Press

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5
Looking for the Balkan (Br)other: The National Gaze in Dzhanik Faiziev's The Turkish Gambit
Looking for the Balkan (Br)other: The National Gaze in Dzhanik Faiziev's The Turkish Gambit
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Looking for the Balkan (Br)other: The National Gaze in Dzhanik Faiziev's The Turkish Gambit

HASHAMOVA, YANA

The Russian review (Stanford), 2015-04, Vol.74 (2), p.211-229 [Periódico revisado por pares]

Lawrence: Blackwell Publishing Ltd

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6
Estrangement and Empowerment in Scheingold's The Political Novel
Estrangement and Empowerment in Scheingold's The Political Novel
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Estrangement and Empowerment in Scheingold's The Political Novel

Silverstein, Helena

Law & Social Inquiry, 2012-09, Vol.37 (4), p.1029-1050 [Periódico revisado por pares]

Cambridge: Blackwell Publishing Ltd

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7
Patrick Moore, Arthur C. Clarke and 'British Outer Space' in the mid 20th century
Patrick Moore, Arthur C. Clarke and 'British Outer Space' in the mid 20th century
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Patrick Moore, Arthur C. Clarke and 'British Outer Space' in the mid 20th century

Dunnett, Oliver

Cultural geographies, 2012-10, Vol.19 (4), p.505-522 [Periódico revisado por pares]

London, England: SAGE

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8
Nostalgia for the Old Versus Wonder at the New: Cultural disenchantment and the temptation of modernity in Nie Hai Hua
Nostalgia for the Old Versus Wonder at the New: Cultural disenchantment and the temptation of modernity in Nie Hai Hua
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Nostalgia for the Old Versus Wonder at the New: Cultural disenchantment and the temptation of modernity in Nie Hai Hua

ZHUANG, GUO-OU

Modern Asian studies, 2014-05, Vol.48 (3), p.550-568 [Periódico revisado por pares]

Cambridge, UK: Cambridge University Press

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9
A Third-Generation Perspective on German-Polish Flight and Expulsion: Discursive and Spatial Practices in Sabrina Janesch's novel Katzenberge (2010)
A Third-Generation Perspective on German-Polish Flight and Expulsion: Discursive and Spatial Practices in Sabrina Janesch's novel Katzenberge (2010)
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A Third-Generation Perspective on German-Polish Flight and Expulsion: Discursive and Spatial Practices in Sabrina Janesch's novel Katzenberge (2010)

Winkler, Claudia

German politics and society, 2013-12, Vol.31 (4), p.85-101 [Periódico revisado por pares]

New York: Berghahn Journals

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10
'she found a way, left the child': 'child-shifting' as the plantation's affects and love's paradox in Donna Hemans' "River Woman"
'she found a way, left the child': 'child-shifting' as the plantation's affects and love's paradox in Donna Hemans' "River Woman"
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'she found a way, left the child': 'child-shifting' as the plantation's affects and love's paradox in Donna Hemans' "River Woman"

Scafe, Suzanne

Feminist review, 2013-07, Vol.104 (104), p.61-79 [Periódico revisado por pares]

London: Palgrave Macmillan

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