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1
A Permeable Practice: "Shortbus" and the Politics of Cinematic Collaboration
A Permeable Practice: "Shortbus" and the Politics of Cinematic Collaboration
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A Permeable Practice: "Shortbus" and the Politics of Cinematic Collaboration

Columpar, Corinn

Camera obscura (Durham, NC), 2016-01 (91), p.4-25 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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2
The Asexual-Single and the Collective: Remaking Queer Bonds in "(A)sexual," "Bill Cunningham New York," and "Year of the Dog"
The Asexual-Single and the Collective: Remaking Queer Bonds in "(A)sexual," "Bill Cunningham New York," and "Year of the Dog"
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The Asexual-Single and the Collective: Remaking Queer Bonds in "(A)sexual," "Bill Cunningham New York," and "Year of the Dog"

Francis, Marc

Camera obscura (Durham, NC), 2016-01 (91), p.25-63 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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3
Machinic Intimacies and Mechanical Brides: Collectivity between Prosthesis and Surrogacy in Jonathan Mostow's "Surrogates" and Spike Jonze's "Her"
Machinic Intimacies and Mechanical Brides: Collectivity between Prosthesis and Surrogacy in Jonathan Mostow's "Surrogates" and Spike Jonze's "Her"
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Machinic Intimacies and Mechanical Brides: Collectivity between Prosthesis and Surrogacy in Jonathan Mostow's "Surrogates" and Spike Jonze's "Her"

Ivanchikova, Alla

Camera obscura (Durham, NC), 2016-01 (91), p.64-91 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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4
"Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's "Dark Water" and South Korea's "A Tale of Two Sisters
"Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's "Dark Water" and South Korea's "A Tale of Two Sisters
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"Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's "Dark Water" and South Korea's "A Tale of Two Sisters

Seet, K K

Camera obscura (Durham, NC), 2009-01, Vol.24 (2), p.138-159 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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5
The Commodification of Romanticism: Lola Montès
The Commodification of Romanticism: Lola Montès
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The Commodification of Romanticism: Lola Montès

Belton, John

Camera obscura (Durham, NC), 2015-01, Vol.30 (3), p.1-25 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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6
“The Hard Shining Brightness of You”: Witnessing the Assumption of a Body in George Cukor's A Woman's Face
“The Hard Shining Brightness of You”: Witnessing the Assumption of a Body in George Cukor's A Woman's Face
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“The Hard Shining Brightness of You”: Witnessing the Assumption of a Body in George Cukor's A Woman's Face

Hausmann, Vincent

Camera obscura (Durham, NC), 2015-01, Vol.30 (2), p.55-87 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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7
Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Çetin's Berlin in Berlin
Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Çetin's Berlin in Berlin
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Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Çetin's Berlin in Berlin

Fenner, Angelica

Camera obscura (Durham, NC), 2000, Vol.15 (2), p.104-149 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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8
The Body of Voyeurism: Mapping a Discourse of the Senses in Michael Powell's "Peeping Tom"
The Body of Voyeurism: Mapping a Discourse of the Senses in Michael Powell's "Peeping Tom"
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The Body of Voyeurism: Mapping a Discourse of the Senses in Michael Powell's "Peeping Tom"

Rio, Elena del

Camera obscura (Durham, NC), 2001-01, Vol.15 (3), p.114-149 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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9
Pressure Points: Political Psychology, Screen Adaptation, and the Management of Racism in the Case-History Genre
Pressure Points: Political Psychology, Screen Adaptation, and the Management of Racism in the Case-History Genre
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Pressure Points: Political Psychology, Screen Adaptation, and the Management of Racism in the Case-History Genre

Slane, Andrea

Camera obscura (Durham, NC), 2001-01, Vol.15 (3), p.70-113 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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10
Mourning, Sound, and Vision: Jean-Luc Godard's JLG/JLG
Mourning, Sound, and Vision: Jean-Luc Godard's JLG/JLG
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Mourning, Sound, and Vision: Jean-Luc Godard's JLG/JLG

Alter, Nora M

Camera obscura (Durham, NC), 2000, Vol.15 (2), p.74-103 [Periódico revisado por pares]

Berkeley, Calif: Duke University Press

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