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BACK TO THE FUTURE
BACK TO THE FUTURE
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magazinearticle 		Adicionar ao Meu Espaço

BACK TO THE FUTURE

Adler, Jerry

The New Yorker, 2004-09, Vol.80 (25), p.101

Conde Nast Publications, Inc

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12
Boccioni: a retrospective. (Umberto Boccioni, Metropolitan Museum of Modern Art, New York)
Boccioni: a retrospective. (Umberto Boccioni, Metropolitan Museum of Modern Art, New York)
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Boccioni: a retrospective. (Umberto Boccioni, Metropolitan Museum of Modern Art, New York)

Danto, Arthur Coleman

The Nation (New York, N.Y.), 1988-11, Vol.247 (13), p.468

The Nation Company L.P

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13
BACK TO THE FUTURE
BACK TO THE FUTURE
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magazinearticle 		Adicionar ao Meu Espaço

BACK TO THE FUTURE

Adler, Jerry

The New Yorker, 2004-09, Vol.80 (25), p.101-101

Conde Nast Publications, Inc

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14
The Guggenheim Goes Back to the Futurists
The Guggenheim Goes Back to the Futurists
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The Guggenheim Goes Back to the Futurists

Lacayo, Richard

Time (Chicago, Ill.), 2014-03, Vol.183 (9), p.1

New York: Time, Inc

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15
Counter blast: As the First World War broke out in Europe, some critics believed it would be impossible to record this mechanised mass conflict in paint. C R W Nevinson proved them wrong. David Boyd Haycock on England's only true convert to the futurist cause.(Christopher R. W. Nevinson)
Counter blast: As the First World War broke out in Europe, some critics believed it would be impossible to record this mechanised mass conflict in paint. C R W Nevinson proved them wrong. David Boyd Haycock on England's only true convert to the futurist cause.(Christopher R. W. Nevinson)
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magazinearticle 		Adicionar ao Meu Espaço

Counter blast: As the First World War broke out in Europe, some critics believed it would be impossible to record this mechanised mass conflict in paint. C R W Nevinson proved them wrong. David Boyd Haycock on England's only true convert to the futurist cause.(Christopher R. W. Nevinson)

New statesman (1996), 2009-08, Vol.138 (4961), p.34

New Statesman, Ltd

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16
Pale Carnage
Pale Carnage
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magazinearticle 		Adicionar ao Meu Espaço

Pale Carnage

Steeds, Lucy

Art monthly, 2007-04 (305), p.23-24

Britannia Art Publications Ltd

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17
The future of futurism
The future of futurism
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The future of futurism

Townsend, Christopher

Art monthly, 2009-09 (329), p.5-8

Britannia Art Publications Ltd

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18
How the future didn't happen. (What Has Made the Year 2000 - Science, Technology, Communications)
How the future didn't happen. (What Has Made the Year 2000 - Science, Technology, Communications)
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How the future didn't happen. (What Has Made the Year 2000 - Science, Technology, Communications)

Pankov, Vladimir

History today, 1996-11, Vol.46 (11), p.51-56

London: History Today Ltd

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19
Back to the future: Marinetti's futurist manifesto, published 100 years ago next month, launched one of the most brilliant and disturbing episodes in 20th-century art, writes Owen Hatherley
Back to the future: Marinetti's futurist manifesto, published 100 years ago next month, launched one of the most brilliant and disturbing episodes in 20th-century art, writes Owen Hatherley
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magazinearticle 		Adicionar ao Meu Espaço

Back to the future: Marinetti's futurist manifesto, published 100 years ago next month, launched one of the most brilliant and disturbing episodes in 20th-century art, writes Owen Hatherley

Hatherley, Owen

New statesman (1996), 2009-01, Vol.138 (4932), p.40

New Statesman, Ltd

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20
Asia-futurism
Asia-futurism
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magazinearticle 		Adicionar ao Meu Espaço

Asia-futurism

Sutcliffe, Jamie

Art Monthly, 2017-02 (403), p.42

London: Britannia Art Publications Ltd

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