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1
When sculpture became more than “something you bump into when you back up to look at a painting”’. Christopher R. Marshall (ed.), Sculpture and the Museum, Ashgate 2011
When sculpture became more than “something you bump into when you back up to look at a painting”’. Christopher R. Marshall (ed.), Sculpture and the Museum, Ashgate 2011
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When sculpture became more than “something you bump into when you back up to look at a painting”’. Christopher R. Marshall (ed.), Sculpture and the Museum, Ashgate 2011

Antonia Boström

Journal of art historiography, 2012-12, Vol.7, p.7-AB/1

Department of Art History, University of Birmingham

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2
Two hundred years of women benefactors at the National Gallery: an exercise in mapping uncharted territory
Two hundred years of women benefactors at the National Gallery: an exercise in mapping uncharted territory
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Two hundred years of women benefactors at the National Gallery: an exercise in mapping uncharted territory

Avery-Quash, Susanna ; Riding, Christine

Journal of art historiography, 2020-12 (23), p.1-91

Glasgow: Journal of Art Historiography

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3
Artists versus art historians? Conflicting interpretations in the Holbein controversy
Artists versus art historians? Conflicting interpretations in the Holbein controversy
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Artists versus art historians? Conflicting interpretations in the Holbein controversy

Bader, Lena

Journal of art historiography, 2018-12 (19), p.1-23

Glasgow: Journal of Art Historiography

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4
The British discovery of Spanish Gothic architecture
The British discovery of Spanish Gothic architecture
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The British discovery of Spanish Gothic architecture

Basarrate, Iñigo

Journal of art historiography, 2018-12 (19), p.1-30

Glasgow: Journal of Art Historiography

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5
Max Dvořák, Wilhelm von Bode, and the Monuments of German Art
Max Dvořák, Wilhelm von Bode, and the Monuments of German Art
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Max Dvořák, Wilhelm von Bode, and the Monuments of German Art

Blower, Jonathan

Journal of art historiography, 2022-06 (26), p.1-36

Glasgow: Journal of Art Historiography

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6
Ornament and European Modernism: from art practice to art history
Ornament and European Modernism: from art practice to art history
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Ornament and European Modernism: from art practice to art history

Braga, Ariane Varela

Journal of Art Historiography, 2019 (20), p.1-11

Glasgow: Journal of Art Historiography

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7
‘Authenticity on display’: Can Bilsel, Antiquity on Display: Regimes of the Authentic in Berlin’s Pergamon Museum, Oxford: Oxford University Press, 2012
‘Authenticity on display’: Can Bilsel, Antiquity on Display: Regimes of the Authentic in Berlin’s Pergamon Museum, Oxford: Oxford University Press, 2012
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‘Authenticity on display’: Can Bilsel, Antiquity on Display: Regimes of the Authentic in Berlin’s Pergamon Museum, Oxford: Oxford University Press, 2012

Carole Paul

Journal of art historiography, 2014-12, Vol.11, p.11-CP1

Department of Art History, University of Birmingham

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8
Market values in eighteenth-century Rome
Market values in eighteenth-century Rome
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Market values in eighteenth-century Rome

Collins, Jeffrey

Journal of Art Historiography, 2020 (23), p.1-13

Glasgow: Journal of Art Historiography

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9
Framing devices for works of art and hypotheses for an immersive use of cultural patrimony
Framing devices for works of art and hypotheses for an immersive use of cultural patrimony
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Framing devices for works of art and hypotheses for an immersive use of cultural patrimony

Cuomo, Marianna

Journal of art historiography, 2022-12 (27S), p.1-4

Glasgow: Journal of Art Historiography

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10
Tracing the public of the first Parisian library for art and archaeology: on the readership at Doucet's library (1910-1914)
Tracing the public of the first Parisian library for art and archaeology: on the readership at Doucet's library (1910-1914)
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Tracing the public of the first Parisian library for art and archaeology: on the readership at Doucet's library (1910-1914)

de Beyssat, Claire Dupin

Journal of art historiography, 2021-06 (24), p.1-21

Glasgow: Journal of Art Historiography

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