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1
The Role of Female Characters in the Narrator’s Quest for Identity in John Banville’s Eclipse
The Role of Female Characters in the Narrator’s Quest for Identity in John Banville’s Eclipse
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The Role of Female Characters in the Narrator’s Quest for Identity in John Banville’s Eclipse

Asensio Aróstegui, Mar

Estudios irlandeses, 2018-01, Vol.13.2 (13.2), p.44-59 [Periódico revisado por pares]

Seattle: Dra. Rosa Gonzalez on behalf of AEDEI

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2
"Everything has to be qualified": Reading as Misreading in John Banville and Paul de Man
"Everything has to be qualified": Reading as Misreading in John Banville and Paul de Man
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"Everything has to be qualified": Reading as Misreading in John Banville and Paul de Man

D'hoker, Elke

Critique - Bolingbroke Society, 2018-10, Vol.59 (5), p.536-546 [Periódico revisado por pares]

Washington: Routledge

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3
The “Woman” as a Frame for the Self: Femininity, Ekphrasis, and Aesthetic Selfhood in John Banville’s Eclipse, Shroud, and Ancient Light
The “Woman” as a Frame for the Self: Femininity, Ekphrasis, and Aesthetic Selfhood in John Banville’s Eclipse, Shroud, and Ancient Light
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The “Woman” as a Frame for the Self: Femininity, Ekphrasis, and Aesthetic Selfhood in John Banville’s Eclipse, Shroud, and Ancient Light

Ghassemi, Mehdi

Estudios irlandeses, 2018-01, Vol.13.2 (13.2), p.30-43 [Periódico revisado por pares]

Seattle: Dra. Rosa Gonzalez on behalf of AEDEI

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4
Contemporary Irish fiction and the indirect gaze
Contemporary Irish fiction and the indirect gaze
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Contemporary Irish fiction and the indirect gaze

Murphy, Neil Eamon Maher ; Eugene O’Brien

From prosperity to austerity, 2015, p.174

Manchester University Press

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5
“We Had the Experience But Missed The Meaning”: On The Relevance of Lacanian Categories in the Analysis of Fiction
“We Had the Experience But Missed The Meaning”: On The Relevance of Lacanian Categories in the Analysis of Fiction
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“We Had the Experience But Missed The Meaning”: On The Relevance of Lacanian Categories in the Analysis of Fiction

Schwall, Hedwig

ABEI Journal: The Brazilian Journal of Irish Studies; v. 9 (2007): ABEI Journal 9; 11-25

Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas 2007-06-17

Acesso online

6
Sensory modality as a linguistic sign of the ‘divided self’ in John Banville’s novels
Sensory modality as a linguistic sign of the ‘divided self’ in John Banville’s novels
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Sensory modality as a linguistic sign of the ‘divided self’ in John Banville’s novels

Stoyanova, Antonia

Language and literature (Harlow, England), 2023-05, Vol.32 (2), p.231-246 [Periódico revisado por pares]

London, England: SAGE Publications

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7
Commodified aura from Freddie Montgomery's perspective in John Banville's The Book of Evidence
Commodified aura from Freddie Montgomery's perspective in John Banville's The Book of Evidence
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Commodified aura from Freddie Montgomery's perspective in John Banville's The Book of Evidence

Wells, John

Word & image (London. 1985), 2020-10, Vol.36 (4), p.343-356 [Periódico revisado por pares]

Abingdon: Routledge

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8
No Immanence for Old Men: The Art of Acting in John Banville's "Eclipse" and Philip Roth's "The Humbling"
No Immanence for Old Men: The Art of Acting in John Banville's "Eclipse" and Philip Roth's "The Humbling"
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No Immanence for Old Men: The Art of Acting in John Banville's "Eclipse" and Philip Roth's "The Humbling"

Wrethed, Joakim

Nordic Irish studies, 2012-01, Vol.11 (1), p.121-131 [Periódico revisado por pares]

Centre for Irish Studies, Dalarna University Centre for Irish Studies, Nordic Irish Studies Network

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Deste Autor:

  1. Schwall, H

Neste Assunto:

  1. John Banville
  2. Novels
  3. John Banville
  4. Novels
  5. Banville, John

  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

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