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1
Understanding Russophone Estonian Identity Through Popular Culture: An Analysis of Hip-Hop Hit “für Oksana”
Understanding Russophone Estonian Identity Through Popular Culture: An Analysis of Hip-Hop Hit “für Oksana”
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Understanding Russophone Estonian Identity Through Popular Culture: An Analysis of Hip-Hop Hit “für Oksana”

Cole, Michael

Nationalities papers, 2024-03, Vol.52 (2), p.272-300 [Periódico revisado por pares]

New York, USA: Cambridge University Press

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2
This City Needs Street Music: Practices, Experiences and Meanings in the Busking Scene of Hong Kong
This City Needs Street Music: Practices, Experiences and Meanings in the Busking Scene of Hong Kong
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This City Needs Street Music: Practices, Experiences and Meanings in the Busking Scene of Hong Kong

Ho, Vicky

Popular music and society, 2023-08, Vol.ahead-of-print (ahead-of-print), p.1-19 [Periódico revisado por pares]

Bowling Green: Routledge

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3
Gestural migration as a pedagogical tool in violin learning: a case study
Gestural migration as a pedagogical tool in violin learning: a case study
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Gestural migration as a pedagogical tool in violin learning: a case study

Alonso Trillo, Roberto

Music education research, 2023-08, Vol.25 (4), p.381-405 [Periódico revisado por pares]

Abingdon: Routledge

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4
Reconceptualizing the audition for the 21st century music student
Reconceptualizing the audition for the 21st century music student
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Reconceptualizing the audition for the 21st century music student

Albert, Daniel J. ; Heiderscheit, Annie

Arts education policy review, 2023-07, Vol.124 (3), p.135-148 [Periódico revisado por pares]

Washington: Routledge

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5
Between Nationalism, Exoticism, and Social Distinction: The Spanish Lyric Drama in the 19th Century
Between Nationalism, Exoticism, and Social Distinction: The Spanish Lyric Drama in the 19th Century
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Between Nationalism, Exoticism, and Social Distinction: The Spanish Lyric Drama in the 19th Century

Andreu-Miralles, Xavier

Nationalities papers, 2023-05, Vol.51 (3), p.702-720 [Periódico revisado por pares]

New York, USA: Cambridge University Press

Sem texto completo

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6
Appreciating vulgarity in raw Zimdancehall music as expression of truth
Appreciating vulgarity in raw Zimdancehall music as expression of truth
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Appreciating vulgarity in raw Zimdancehall music as expression of truth

Parwaringira, Blessed ; Mpofu, Phillip

African identities, 2023-04, Vol.21 (2), p.227-245 [Periódico revisado por pares]

Pretoria: Routledge

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7
Alternative seating practices: pedagogy of the back of the orchestra
Alternative seating practices: pedagogy of the back of the orchestra
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Alternative seating practices: pedagogy of the back of the orchestra

Yi, Tammy S.

Music education research, 2023-03, Vol.25 (2), p.190-204 [Periódico revisado por pares]

Abingdon: Routledge

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8
Music streaming platforms and self-releasing musicians: the case of China
Music streaming platforms and self-releasing musicians: the case of China
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Music streaming platforms and self-releasing musicians: the case of China

Qu, Shuwen ; Hesmondhalgh, David ; Xiao, Jian

Information, communication & society, 2023-03, Vol.26 (4), p.699-715 [Periódico revisado por pares]

Abingdon: Routledge

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9
Musicians and non-musicians show different preference profiles for single chords of varying harmonic complexity
Musicians and non-musicians show different preference profiles for single chords of varying harmonic complexity
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Musicians and non-musicians show different preference profiles for single chords of varying harmonic complexity

Witek, Maria A G ; Matthews, Tomas ; Bodak, Rebeka ; Blausz, Marta W ; Penhune, Virginia ; Vuust, Peter Loui, Psyche

PloS one, 2023-02, Vol.18 (2), p.e0281057-e0281057 [Periódico revisado por pares]

United States: Public Library of Science

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10
Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music
Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music
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Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music

Watson, Allan ; Watson, Joseph B. ; Tompkins, Lou

Journal of cultural economy, 2023-01, Vol.16 (1), p.32-46 [Periódico revisado por pares]

Abingdon: Routledge

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