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Refinado por: Base de dados/Biblioteca: JSTOR Complete Journals remover
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1
Poca robba, ma buona: the recorded legacy of ornamentation practice in 16th- and 17th-century music
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Poca robba, ma buona: the recorded legacy of ornamentation practice in 16th- and 17th-century music

Savan, Jamie

Early music, 2023-09, Vol.51 (3), p.472-476 [Periódico revisado por pares]

UK: Oxford University Press

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2
Reviews of Music -- '17th Century Keyboard Music: Sources Central to the Keyboard Art of the Baroque' (24 vols.) General Editor, Alexander Silbiger
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Resenha
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Reviews of Music -- '17th Century Keyboard Music: Sources Central to the Keyboard Art of the Baroque' (24 vols.) General Editor, Alexander Silbiger

Stembridge, Christopher

Music & Letters, 1990, Vol.71 (2), p.297 [Periódico revisado por pares]

Oxford: Oxford Publishing Limited (England)

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3
The Janus faces of the 17th century: From Renaissance to Baroque: change in instruments and instrumental music in the 17th century, ed. Jonathan Wainwright and Peter Holman (Aldershot: Ashgate, 2005),  55
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The Janus faces of the 17th century: From Renaissance to Baroque: change in instruments and instrumental music in the 17th century, ed. Jonathan Wainwright and Peter Holman (Aldershot: Ashgate, 2005),  55

Walls, P.

Early music, 2006-08, Vol.34 (3), p.483-486 [Periódico revisado por pares]

Oxford: Oxford Publishing Limited(England)

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4
The travels of a tune: Purcell’s ‘If love’s a sweet passion’ and the cultural translation of 17th-century English music
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Artigo
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The travels of a tune: Purcell’s ‘If love’s a sweet passion’ and the cultural translation of 17th-century English music

Lebedinski, Ester

Early music, 2020-06, Vol.48 (1), p.75-89 [Periódico revisado por pares]

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5
The Honnête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music
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Artigo
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The Honnête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music

FADER, DON

The Journal of musicology (St. Joseph, Mich.), 2003-01, Vol.20 (1), p.3-44 [Periódico revisado por pares]

St. Joseph: University of California Press Books Division

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6
A Harmony or Concord of Several and Diverse Voices«: Autonomy in 17th-century German Music Theory and Practice
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A Harmony or Concord of Several and Diverse Voices«: Autonomy in 17th-century German Music Theory and Practice

Chapin, Keith

International review of the aesthetics and sociology of music, 2011-12, Vol.42 (2), p.219-255

Zagreb: Department for Music and Musicology of the Croatian Academy of Sciences and Arts, Croatian Musicological Society, Music Academy of the University of Zagreb

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7
17th-Century Music Prints at Mdina Cathedral, Malta
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Artigo
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17th-Century Music Prints at Mdina Cathedral, Malta

Bruni, Franco

Early music, 1999-08, Vol.27 (3), p.467-479 [Periódico revisado por pares]

Oxford: Oxford University Press

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8
Handel as Orpheus: Voice and Desire in the Chamber Cantatas
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Resenha
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Handel as Orpheus: Voice and Desire in the Chamber Cantatas

STROHM, REINHARD

Journal of the American Musicological Society, 2007, Vol.60 (1), p.217-222 [Periódico revisado por pares]

Richmond: University of California Press

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9
17th-century English consorts: "'A gift of nature': English chamber music of the 17th century", Trio Sonnerie
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17th-century English consorts: "'A gift of nature': English chamber music of the 17th century", Trio Sonnerie

Woodfield, Ian

Early music, 1994-08, Vol.22 (3), p.514 [Periódico revisado por pares]

Oxford: Oxford University Press

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10
John Playford, and 17th-Century Music Publishing
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Artigo
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John Playford, and 17th-Century Music Publishing

Kidson, Frank

The Musical quarterly, 1918-10, Vol.4 (4), p.516-534 [Periódico revisado por pares]

Oxford: G. Schirmer

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