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Poca robba, ma buona: the recorded legacy of ornamentation practice in 16th- and 17th-century music
Poca robba, ma buona: the recorded legacy of ornamentation practice in 16th- and 17th-century music
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Poca robba, ma buona: the recorded legacy of ornamentation practice in 16th- and 17th-century music

Savan, Jamie

Early music, 2023-09, Vol.51 (3), p.472-476 [Periódico revisado por pares]

UK: Oxford University Press

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Reviews of Music -- '17th Century Keyboard Music: Sources Central to the Keyboard Art of the Baroque' (24 vols.) General Editor, Alexander Silbiger
Reviews of Music -- '17th Century Keyboard Music: Sources Central to the Keyboard Art of the Baroque' (24 vols.) General Editor, Alexander Silbiger
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Reviews of Music -- '17th Century Keyboard Music: Sources Central to the Keyboard Art of the Baroque' (24 vols.) General Editor, Alexander Silbiger

Stembridge, Christopher

Music & Letters, 1990, Vol.71 (2), p.297 [Periódico revisado por pares]

Oxford: Oxford Publishing Limited (England)

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The Janus faces of the 17th century: From Renaissance to Baroque: change in instruments and instrumental music in the 17th century, ed. Jonathan Wainwright and Peter Holman (Aldershot: Ashgate, 2005),  55
The Janus faces of the 17th century: From Renaissance to Baroque: change in instruments and instrumental music in the 17th century, ed. Jonathan Wainwright and Peter Holman (Aldershot: Ashgate, 2005),  55
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The Janus faces of the 17th century: From Renaissance to Baroque: change in instruments and instrumental music in the 17th century, ed. Jonathan Wainwright and Peter Holman (Aldershot: Ashgate, 2005),  55

Walls, P.

Early music, 2006-08, Vol.34 (3), p.483-486 [Periódico revisado por pares]

Oxford: Oxford Publishing Limited(England)

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The travels of a tune: Purcell’s ‘If love’s a sweet passion’ and the cultural translation of 17th-century English music
The travels of a tune: Purcell’s ‘If love’s a sweet passion’ and the cultural translation of 17th-century English music
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The travels of a tune: Purcell’s ‘If love’s a sweet passion’ and the cultural translation of 17th-century English music

Lebedinski, Ester

Early music, 2020-06, Vol.48 (1), p.75-89 [Periódico revisado por pares]

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5
The Honnête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music
The Honnête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music
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The Honnête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music

FADER, DON

The Journal of musicology (St. Joseph, Mich.), 2003-01, Vol.20 (1), p.3-44 [Periódico revisado por pares]

St. Joseph: University of California Press Books Division

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Early music and terminological resurgence: a diachronic study of French and English music terminology from the second half of the 17th century
Early music and terminological resurgence: a diachronic study of French and English music terminology from the second half of the 17th century
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Early music and terminological resurgence: a diachronic study of French and English music terminology from the second half of the 17th century

Rousseau, Delphine-Anne

Rasprave Instituta za hrvatski jezik i jezikoslovlje, 2018, Vol.44 (2), p.643-661 [Periódico revisado por pares]

Institut za hrvatski jezik i jezikoslovlje

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Italian music in the 17th century in the regions of Spiš and Šariš in the evangelical churches of the Augsburg Confession
Italian music in the 17th century in the regions of Spiš and Šariš in the evangelical churches of the Augsburg Confession
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Italian music in the 17th century in the regions of Spiš and Šariš in the evangelical churches of the Augsburg Confession

Hulková, Marta

Musicologica Brunensia, 2018-01, Vol.53 (2), p.41-60 [Periódico revisado por pares]

Masaryk University, Faculty of Arts

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17th-Century Music Prints at Mdina Cathedral, Malta
17th-Century Music Prints at Mdina Cathedral, Malta
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17th-Century Music Prints at Mdina Cathedral, Malta

Bruni, Franco

Early music, 1999-08, Vol.27 (3), p.467-479 [Periódico revisado por pares]

Oxford: Oxford University Press

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9
Handel as Orpheus: Voice and Desire in the Chamber Cantatas
Handel as Orpheus: Voice and Desire in the Chamber Cantatas
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Handel as Orpheus: Voice and Desire in the Chamber Cantatas

STROHM, REINHARD

Journal of the American Musicological Society, 2007, Vol.60 (1), p.217-222 [Periódico revisado por pares]

Richmond: University of California Press

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17th-century English consorts: "'A gift of nature': English chamber music of the 17th century", Trio Sonnerie
17th-century English consorts: "'A gift of nature': English chamber music of the 17th century", Trio Sonnerie
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17th-century English consorts: "'A gift of nature': English chamber music of the 17th century", Trio Sonnerie

Woodfield, Ian

Early music, 1994-08, Vol.22 (3), p.514 [Periódico revisado por pares]

Oxford: Oxford University Press

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