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1
Women and Mimesis in Medieval and Renaissance Somerset (and Beyond)
Women and Mimesis in Medieval and Renaissance Somerset (and Beyond)
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Women and Mimesis in Medieval and Renaissance Somerset (and Beyond)

Stokes, James

Comparative drama, 1993-07, Vol.27 (2), p.176-196 [Periódico revisado por pares]

Kalamazoo, MI: Comparative Drama, Department of English, Western Michigan University

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2
Tragedy, Gender, Performance: Women as Tragic Heroes on the Nineteenth-Century Stage
Tragedy, Gender, Performance: Women as Tragic Heroes on the Nineteenth-Century Stage
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Tragedy, Gender, Performance: Women as Tragic Heroes on the Nineteenth-Century Stage

Russell, Anne

Comparative drama, 1996-07, Vol.30 (2), p.135-157 [Periódico revisado por pares]

Kalamazoo, Mich: Comparative Drama, Department of English, Western Michigan University

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3
"I Then Was What I Had Made Myself": Representation and Charlotte Charke
"I Then Was What I Had Made Myself": Representation and Charlotte Charke
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"I Then Was What I Had Made Myself": Representation and Charlotte Charke

Churchill, Sue

Biography (Honolulu), 1997-01, Vol.20 (1), p.72-94 [Periódico revisado por pares]

Honolulu: University of Hawai'i Press for the Biographical Research Center

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4
The Right to Bare: Containing and Encoding American Women in Popular Entertainments of the 1920s
The Right to Bare: Containing and Encoding American Women in Popular Entertainments of the 1920s
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The Right to Bare: Containing and Encoding American Women in Popular Entertainments of the 1920s

Latham, Angela J.

Theatre journal (Washington, D.C.), 1997-12, Vol.49 (4), p.455-473 [Periódico revisado por pares]

Washington, D. C: Johns Hopkins University Press

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5
White Noises: On Performing White, on Writing Performance
White Noises: On Performing White, on Writing Performance
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White Noises: On Performing White, on Writing Performance

Jackson, Shannon

TDR : Drama review, 1998-04, Vol.42 (1), p.49-65 [Periódico revisado por pares]

238 Main St., Suite 500, Cambridge, MA 02142-1046, USA: MIT Press

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6
"I Do Want to Live!": Female Voices, Male Discourse, and Hollywood Biopics
"I Do Want to Live!": Female Voices, Male Discourse, and Hollywood Biopics
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"I Do Want to Live!": Female Voices, Male Discourse, and Hollywood Biopics

Bingham, Dennis

Cinema journal, 1999-04, Vol.38 (3), p.3-26

Austin, Tex., etc: University of Texas Press

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7
"But things is changin' nowadays an' Mammy's gettin' bored": Hattie McDaniel and the Culture of Dissemblance
"But things is changin' nowadays an' Mammy's gettin' bored": Hattie McDaniel and the Culture of Dissemblance
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"But things is changin' nowadays an' Mammy's gettin' bored": Hattie McDaniel and the Culture of Dissemblance

Sturtevant, Victoria

The Velvet light trap, 1999-10, Vol.44, p.68-79 [Periódico revisado por pares]

Madison, Wis: University of Texas at Austin (University of Texas Press)

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8
From Gay to Gei: The Onnagata and the Creation of Kabuki's Female Characters
From Gay to Gei: The Onnagata and the Creation of Kabuki's Female Characters
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From Gay to Gei: The Onnagata and the Creation of Kabuki's Female Characters

Leiter, Samuel L.

Comparative drama, 1999-12, Vol.33 (4), p.495-514 [Periódico revisado por pares]

Kalamazoo, Mich: Comparative Drama, Department of English, Western Michigan University

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9
Representing "Awarishness": Burlesque, Feminist Transgression, and the 19th-Century Pin-Up
Representing "Awarishness": Burlesque, Feminist Transgression, and the 19th-Century Pin-Up
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Representing "Awarishness": Burlesque, Feminist Transgression, and the 19th-Century Pin-Up

Buszek, Maria-Elena

TDR : Drama review, 1999-12, Vol.43 (4), p.141-162 [Periódico revisado por pares]

238 Main St., Suite 500, Cambridge, MA 02142-1046, USA: MIT Press

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10
PERFORMING IDENTITIES: ACTRESSES AND AUTOBIOGRAPHY
PERFORMING IDENTITIES: ACTRESSES AND AUTOBIOGRAPHY
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PERFORMING IDENTITIES: ACTRESSES AND AUTOBIOGRAPHY

CORBETT, MARY JEAN

Biography (Honolulu), 2001-01, Vol.24 (1), p.15-23 [Periódico revisado por pares]

Honolulu: University of Hawai'i Press for the Biographical Research Center

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