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Between Amateur & Aesthete: The Legitimization of Photography as Art in America, 1880-1900
Between Amateur & Aesthete: The Legitimization of Photography as Art in America, 1880-1900
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Between Amateur & Aesthete: The Legitimization of Photography as Art in America, 1880-1900

Goodyear, Frank H.

American Studies International, 2001, Vol.39 (2), p.102-103

Washington: George Washington University

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Back in the USSR: John Heartfield, Gustavs Klucis, and the Medium of Soviet Propaganda
Back in the USSR: John Heartfield, Gustavs Klucis, and the Medium of Soviet Propaganda
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Back in the USSR: John Heartfield, Gustavs Klucis, and the Medium of Soviet Propaganda

Gough, Maria

New German critique, 2009, Vol.36 (2), p.133-183

New York: Duke University Press

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3
The Carte de Visite in the 1860s and the Serial Dynamic of Photographic Likeness
The Carte de Visite in the 1860s and the Serial Dynamic of Photographic Likeness
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The Carte de Visite in the 1860s and the Serial Dynamic of Photographic Likeness

Perry, Lara

Art history, 2012-09, Vol.35 (4), p.728-749 [Periódico revisado por pares]

Oxford, UK: Blackwell Publishing Ltd

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4
Intersecting Archives: Intertextuality and the Early West African Photographer
Intersecting Archives: Intertextuality and the Early West African Photographer
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Intersecting Archives: Intertextuality and the Early West African Photographer

Gore, Charles

African arts, 2015-09, Vol.48 (3), p.6-17 [Periódico revisado por pares]

One Rogers Street, Cambridge, MA 02142-1209, USA: University of California

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5
From the Studio to the Front-line: The Emergence, Development, and Impact of Asian Photographers in Colonial and Independent East Africa
From the Studio to the Front-line: The Emergence, Development, and Impact of Asian Photographers in Colonial and Independent East Africa
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From the Studio to the Front-line: The Emergence, Development, and Impact of Asian Photographers in Colonial and Independent East Africa

Sheikh-Miller, Nasira

African arts, 2015-09, Vol.48 (3), p.38-47 [Periódico revisado por pares]

One Rogers Street, Cambridge, MA 02142-1209, USA: University of California

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6
'Perspectives bâtardes': Stereoscopy, Cézanne, and the Metapictorial Logic of Spatial Construction
'Perspectives bâtardes': Stereoscopy, Cézanne, and the Metapictorial Logic of Spatial Construction
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'Perspectives bâtardes': Stereoscopy, Cézanne, and the Metapictorial Logic of Spatial Construction

Bantjes, Rod

History of photography, 2017-07, Vol.41 (3), p.262-285 [Periódico revisado por pares]

Abingdon: Routledge

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7
Placing Early Photography: The Work of Robert Hunt in Mid-Nineteenth-Century Britain
Placing Early Photography: The Work of Robert Hunt in Mid-Nineteenth-Century Britain
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Placing Early Photography: The Work of Robert Hunt in Mid-Nineteenth-Century Britain

Ryan, James R.

History of photography, 2017-10, Vol.41 (4), p.343-361 [Periódico revisado por pares]

Abingdon: Routledge

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8
Photography and African futures
Photography and African futures
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Photography and African futures

Vokes, Richard ; Newbury, Darren

Visual studies (Abingdon, England), 2018-01, Vol.33 (1), p.1-10 [Periódico revisado por pares]

Abingdon: Routledge

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9
Groet uit Java: Picture Postcards and the Transnational Making of the Colony around 1900
Groet uit Java: Picture Postcards and the Transnational Making of the Colony around 1900
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Groet uit Java: Picture Postcards and the Transnational Making of the Colony around 1900

Junge, Sophie

History of photography, 2018-04, Vol.42 (2), p.168-184 [Periódico revisado por pares]

Abingdon: Routledge

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10
Imagining Racial Equality: Local 65’s Union Photographers, Postwar Civil Rights, and the Power of the Real, 1940–1955
Imagining Racial Equality: Local 65’s Union Photographers, Postwar Civil Rights, and the Power of the Real, 1940–1955
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Imagining Racial Equality: Local 65’s Union Photographers, Postwar Civil Rights, and the Power of the Real, 1940–1955

Quirke, Carol

Radical history review, 2018-10, Vol.2018 (132), p.96-125 [Periódico revisado por pares]

New York: Duke University Press

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