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1
Goodbye Crude World: The Aesthetics of Environmental Catastrophe in Michel Faber’s The Book of Strange New Things and Edward Burtynsky’s Oil Photographs
Goodbye Crude World: The Aesthetics of Environmental Catastrophe in Michel Faber’s The Book of Strange New Things and Edward Burtynsky’s Oil Photographs
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Goodbye Crude World: The Aesthetics of Environmental Catastrophe in Michel Faber’s The Book of Strange New Things and Edward Burtynsky’s Oil Photographs

AHLBERG, SOFIA

The Comparatist, 2017-10, Vol.41 (1), p.78-92 [Periódico revisado por pares]

Chapel Hill: The University of North Carolina Press

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2
Literature, Catastrophe, and Numbers: Saadat Hasan Manto and Tahar Ben Jelloun
Literature, Catastrophe, and Numbers: Saadat Hasan Manto and Tahar Ben Jelloun
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Literature, Catastrophe, and Numbers: Saadat Hasan Manto and Tahar Ben Jelloun

RAINSFORD, DOMINIC

The Comparatist, 2017-10, Vol.41 (1), p.5-18 [Periódico revisado por pares]

Chapel Hill: The University of North Carolina Press

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3
Loss and the Durability of Everyday Life in Uwe Timm’s In My Brother’s Shadow and Bobbie Ann Mason’s In Country
Loss and the Durability of Everyday Life in Uwe Timm’s In My Brother’s Shadow and Bobbie Ann Mason’s In Country
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Loss and the Durability of Everyday Life in Uwe Timm’s In My Brother’s Shadow and Bobbie Ann Mason’s In Country

Baker, Gary L

The Comparatist, 2016-10, Vol.40 (1), p.144-157 [Periódico revisado por pares]

Chapel Hill: The University of North Carolina Press

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4
Postcolonial World Literature: Forster-Roy-Morrison
Postcolonial World Literature: Forster-Roy-Morrison
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Postcolonial World Literature: Forster-Roy-Morrison

BASU, BIMAN

The Comparatist, 2014-10, Vol.38 (1), p.158-187 [Periódico revisado por pares]

Chapel Hill: The University of North Carolina Press

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