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1
Brushstroke Cinema: The Concept of Matte Painting in the Work of Peter Ellenshaw and Albert Whitlock
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Brushstroke Cinema: The Concept of Matte Painting in the Work of Peter Ellenshaw and Albert Whitlock

Lanza, Dario

Film history (New York, N.Y.), 2020-06, Vol.32 (2), p.80-99 [Peer Reviewed Journal]

Sydney: Indiana University Press

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2
Virtual Reality’s New Synesthetic Possibilities
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Article
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Virtual Reality’s New Synesthetic Possibilities

Ross, Miriam

Television & new media, 2020-03, Vol.21 (3), p.297-314 [Peer Reviewed Journal]

Los Angeles, CA: SAGE Publications

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3
'Breaking out of the nationalist/ic paradigm': international screen texts on the 1915 Gallipoli campaign
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Article
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'Breaking out of the nationalist/ic paradigm': international screen texts on the 1915 Gallipoli campaign

Bennett, James

Continuum (Mount Lawley, W.A.), 2014-01, Vol.28 (5), p.640-653 [Peer Reviewed Journal]

Abingdon: Routledge

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4
The shoreline in the sea: liminal spaces in the films of James Cameron
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The shoreline in the sea: liminal spaces in the films of James Cameron

Hammond, Brady

Continuum (Mount Lawley, W.A.), 2013-10, Vol.27 (5), p.690-703 [Peer Reviewed Journal]

Abingdon: Routledge

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5
Arguments without words in Unser täglich Brot (Geyrhalter 2005)
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Arguments without words in Unser täglich Brot (Geyrhalter 2005)

Hughes, Helen

Continuum (Mount Lawley, W.A.), 2013-06, Vol.27 (3), p.347-364 [Peer Reviewed Journal]

Abingdon, UK: Routledge

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6
Yahoo! Shammi Kapoor and the corporeal stylistics of popular Hindi cinema
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Yahoo! Shammi Kapoor and the corporeal stylistics of popular Hindi cinema

Mishra, Sudesh

Continuum (Mount Lawley, W.A.), 2012-12, Vol.26 (6), p.815-832 [Peer Reviewed Journal]

Abingdon: Taylor & Francis Group

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7
"It's About Belonging": Masculinity, Collectivity, and Community in British Hooligan Films
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"It's About Belonging": Masculinity, Collectivity, and Community in British Hooligan Films

Rehling, Nicola

The journal of popular film and television, 2011-11, Vol.39 (4), p.162-173 [Peer Reviewed Journal]

Washington, D. C: Taylor & Francis Group

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8
Red Road (2006) and emerging narratives of 'sub-veillance'
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Red Road (2006) and emerging narratives of 'sub-veillance'

Lake, Jessica

Continuum (Mount Lawley, W.A.), 2010-04, Vol.24 (2), p.231-240 [Peer Reviewed Journal]

Abingdon: Taylor & Francis Group

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9
Technologies of Perception: Miyazaki in Theory and Practice
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Technologies of Perception: Miyazaki in Theory and Practice

Bigelow, Susan J.

Animation : an interdisciplinary journal, 2009-03, Vol.4 (1), p.55-75 [Peer Reviewed Journal]

London, England: SAGE Publications

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10
The 'crossover' audience: Mediated multiculturalism and the Indian film
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The 'crossover' audience: Mediated multiculturalism and the Indian film

Athique, Adrian M.

Continuum (Mount Lawley, W.A.), 2008-06, Vol.22 (3), p.299-311 [Peer Reviewed Journal]

Abingdon: Taylor & Francis Group

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