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1
'Home Is Where the Art Is': Women, Handicrafts and Home Improvements 1750-1900
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'Home Is Where the Art Is': Women, Handicrafts and Home Improvements 1750-1900

Edwards, Clive

Journal of design history, 2006, Vol.19 (1), p.11-21 [Periódico revisado por pares]

Oxford University Press

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2
Design in Belgium before Art Nouveau: Art, Industry and the Reform of Artistic Education in the Second Half of the Nineteenth Century
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Design in Belgium before Art Nouveau: Art, Industry and the Reform of Artistic Education in the Second Half of the Nineteenth Century

Prina, Daniela N.

Journal of design history, 2010-12, Vol.23 (4), p.329-350 [Periódico revisado por pares]

Oxford University Press

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3
Originality and Jones' The Grammar of Ornament of 1856
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Originality and Jones' The Grammar of Ornament of 1856

Jespersen, John Kresten

Journal of design history, 2008-06, Vol.21 (2), p.143-153 [Periódico revisado por pares]

Oxford University Press

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4
‘Doing As We Like’: Grant Allen, Harry Quilter and Aesthetic Dogma
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‘Doing As We Like’: Grant Allen, Harry Quilter and Aesthetic Dogma

Anderson, Anne

Journal of design history, 2005, Vol.18 (4), p.335-355 [Periódico revisado por pares]

Oxford University Press

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5
Communications between Traders, Users and Artists: The Growth of German Language Serial Publications on Domestic Interior Decoration in the Later Nineteenth Century
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Communications between Traders, Users and Artists: The Growth of German Language Serial Publications on Domestic Interior Decoration in the Later Nineteenth Century

Muthesius, Stefan

Journal of design history, 2005, Vol.18 (1), p.7-20 [Periódico revisado por pares]

Oxford University Press

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6
Nancy Vincent McClelland (1877-1959): Professionalizing Interior Decoration in the Early Twentieth Century
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Nancy Vincent McClelland (1877-1959): Professionalizing Interior Decoration in the Early Twentieth Century

May, Bridget

Journal of design history, 2008, Vol.21 (1), p.59-74 [Periódico revisado por pares]

Oxford University Press

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7
Sèvres Porcelain and the Articulation of Imperial Identity in Napoleonic France
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Sèvres Porcelain and the Articulation of Imperial Identity in Napoleonic France

Adams, Steven

Journal of design history, 2007-09, Vol.20 (3), p.183-204 [Periódico revisado por pares]

Oxford University Press

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8
Rhetorics of Display: Arts and Crafts and Art Nouveau at the Turin Exhibition of 1902
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Rhetorics of Display: Arts and Crafts and Art Nouveau at the Turin Exhibition of 1902

Morna O'Neill

Journal of design history, 2007-09, Vol.20 (3), p.205-225 [Periódico revisado por pares]

Oxford University Press

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9
Designing the Reader's Interior: Subjectivity and the Woman's Magazine in Early Twentieth-Century France
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Designing the Reader's Interior: Subjectivity and the Woman's Magazine in Early Twentieth-Century France

Berry, Francesca

Journal of design history, 2005, Vol.18 (1), p.61-79 [Periódico revisado por pares]

Oxford University Press

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10
Anxieties of Influence: British Responses to Art Nouveau, 1900–04
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Anxieties of Influence: British Responses to Art Nouveau, 1900–04

Theiding, Kara Olsen

Journal of design history, 2006, Vol.19 (3), p.215-231 [Periódico revisado por pares]

Oxford University Press

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