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Caricature and the New Negro in the Work of Archibald Motley Jr. and Palmer Hayden

Wolfskill, Phoebe

The Art bulletin (New York, N.Y.), 2009-09, Vol.91 (3), p.343-365 [Periódico revisado por pares]

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Título:
Caricature and the New Negro in the Work of Archibald Motley Jr. and Palmer Hayden
Autor: Wolfskill, Phoebe
Assuntos: African American culture ; African American studies ; African Americans ; African art ; Art exhibitions ; Artists ; Facial expressions ; Lips ; Mental depression ; Modernist art ; Paints ; Public buildings ; Renaissance art ; Stereotypes ; Visual arts
É parte de: The Art bulletin (New York, N.Y.), 2009-09, Vol.91 (3), p.343-365
Notas: ObjectType-Article-2
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Descrição: Why did Negro Renaissance painters Archibald Motley Jr. and Palmer Hayden, artists who sought to complicate and transform visual articulations of black Americans, create figures that recall racial caricatures? Art criticism of the period, examinations of racial stereotype, examples of humor and stereotype in Western art, and statements by the artists furnish the context in which they made their aesthetic choices. An analysis of key works reveals that their formal devices were considerably more complex and layered than often assumed. Nonetheless, their work demonstrates the difficulty and perhaps impossibility of constructing a completely "New" Negro detached from popular tropes of blackness.
Editor: New York: Taylor & Francis
Idioma: Inglês

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