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DEMATERIALIZATION: FROM ARTE POVERA TO CYBERMONEY THROUGH ITALIAN THOUGHT

PINKUS, KAREN

Diacritics, 2009-09, Vol.39 (3), p.63-75 [Periódico revisado por pares]

Baltimore: Johns Hopkins University Press

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  • Título:
    DEMATERIALIZATION: FROM ARTE POVERA TO CYBERMONEY THROUGH ITALIAN THOUGHT
  • Autor: PINKUS, KAREN
  • Assuntos: Alchemy ; Art objects ; Art photography ; Astronomical objects ; Creativity ; Diacriticals ; Digital currency ; Energy ; Futurism ; Globalization ; Italian literature ; Lippard, Lucy ; Materiality ; Modern art ; Politics ; Product dematerialization ; Sculpture ; TEXTS / CONTEXTS ; Theme ; Wu Ming
  • É parte de: Diacritics, 2009-09, Vol.39 (3), p.63-75
  • Descrição: Some worked through the theme of energy as matter; they strove to negate the work as opus of a single creative hand, in concert with prevailing theories of the death of author; or they sought to negate the work as institutionalized product, engaging in a critique of museums or in a search for alternative spaces and markets.5 Arte povera-inasmuch as it is possible to generalize about a heterogeneous set of practices-sought to keep work continuously present, non-historical. Arte povera participants-with varying degrees of explicit political engagement-felt that no object, no matter how well intentioned, nontraditional, or idiosyncratic, could escape becoming a commodity or transcend the conditions of the market.6 They saw the capitalist (art) market as a monstrous machine that incorporates everything into itself, even opposition to it.\n As such it will inevitably become a major force in fostering globalization, allowing individuals to engage in exchange, production and credit relations with actors across the globe.
  • Editor: Baltimore: Johns Hopkins University Press
  • Idioma: Inglês
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