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Affects of chaos rhetorical pathos and the epistemology of musical discourse

William Teixeira Sílvio Ferraz

Zbornik Akademije umetnosti Novi Sad n. 6, p. 64-88, 2018

Novi Sad 2018

Acesso online

  • Título:
    Affects of chaos rhetorical pathos and the epistemology of musical discourse
  • Autor: William Teixeira
  • Sílvio Ferraz
  • Assuntos: MÚSICA CONTEMPORÂNEA; INTERPRETAÇÃO MUSICAL; FILOSOFIA DA MÚSICA; RETÓRICA; EPISTEMOLOGIA
  • É parte de: Zbornik Akademije umetnosti Novi Sad n. 6, p. 64-88, 2018
  • Notas: Disponível em: https://doi.org/10.5937/zbakum1801064t. Acesso em: 22 jun. 2020
  • Descrição: This paper proposes a systematic reflection on how performances embody not only propositional statements but also projections of affective worlds, trying to avoid objectification of people and feelings in favor of a movable and fluid sense of meaning. This reflection is mostly orientated to the reality of musical discourse, especially contemporary, where lack of consensus seems to abound, but it goes through all the arts that, somehow, consider the same ongoing situation in the action of performance. It starts discussing the concept of pathos in Philosophy, trying to trace its development in history, reaching its Latin form as affectus. Both terms address discussions on what is know the meaning of an artistic discourse and how is possible to know that, having support in concepts such as fittingness, empathy and Stimmung, referenced by the thought of philosophers like Gilles Deleuze, Nicholas Wolterstorff, Martin Heidegger and by the ancient and retrieved art of Rhetoric
  • Editor: Novi Sad
  • Data de criação/publicação: 2018
  • Formato: p. 64-88.
  • Idioma: Inglês
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  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

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