skip to main content
Invitado
Mi portal
Mi Cuenta
Cerrar sesión
Identificarse
This feature requires javascript
Tags
Periódicos Eletrónicos
Libros Eletrónicos
Bases de Datos
Bibliotecas de USP
Ayuda
Ayuda
Idioma:
Inglés
Castellano
Portugués (Brasil)
This feature required javascript
This feature requires javascript
Primo Search
Búsqueda General
Búsqueda General
Colección Física
Colecciones Físicas
Producción Intelectual USP
Producción USP
Search For:
Clear Search Box
Search in:
Búsqueda General
Or hit Enter to replace search target
Or select another collection:
Search in:
Búsqueda General
Búsqueda Avanzada
Búsqueda por Índices
This feature requires javascript
This feature requires javascript
Education, Art and Activism in Post-War Britain: Nan Youngman and Pictures for Schools
Bradbury, Natalie
History of education (Tavistock), 2024-03, Vol.53 (2), p.320-339
[Revista revisada por pares]
London: Routledge
Texto completo disponible
Citas
Citado por
Recurso en línea
Detalles
Comentarios y Etiquetas
Servicios adicionales
Veces citado
This feature requires javascript
Acciones
Agregar a Mi Portal
Eliminar de Mi Portal
Correo Electrónico
Imprimir
Enlae permanente
Cita bibliográfica
EasyBib
EndNote
RefWorks
Delicious
Exportación RIS
Exportar BibTeX
This feature requires javascript
Título:
Education, Art and Activism in Post-War Britain: Nan Youngman and Pictures for Schools
Autor:
Bradbury, Natalie
Materias:
Art education
;
Artists
;
Cultural change
;
Education history
;
Exhibitions
;
Interwar period
;
Nan Youngman
;
Patronage
;
Pictures for Schools
;
post-war
;
Postwar history
;
War
;
Welfare state
Es parte de:
History of education (Tavistock), 2024-03, Vol.53 (2), p.320-339
Descripción:
This paper explores the British art patronage scheme Pictures for Schools, which sold affordable works of art to educational buyers at annual exhibitions between 1947 and 1969, focusing on the work of Pictures for Schools founder and organiser Nan Youngman (1906-1995) as an artist, educationalist and activist. It shows that, while social and cultural changes in post-war Britain around the development of the welfare state provided a receptive environment for Pictures for Schools, it was largely driven by Youngman's personal convictions and experiences. This paper traces the ideological motivations behind Pictures for Schools to the interwar period, exploring Youngman's involvement in two progressive organisations, the Artists' International Association (AIA) and the Society for Education through Art (SEA), which enabled her to campaign for progressive art and education. In doing so, it positions Pictures for Schools as a socially engaged intervention into the post-war education system in England and society.
Editor:
London: Routledge
Idioma:
Inglés
This feature requires javascript
This feature requires javascript
Volver a la lista de resultados
Anterior
Resultado
2
Siguiente
This feature requires javascript
This feature requires javascript
Buscando en bases de datos remotas, por favor espere
Buscando por
en
scope:(USP_VIDEOS),scope:("PRIMO"),scope:(USP_FISICO),scope:(USP_EREVISTAS),scope:(USP),scope:(USP_EBOOKS),scope:(USP_PRODUCAO),primo_central_multiple_fe
Mostrar lo que tiene hasta ahora
This feature requires javascript
This feature requires javascript