skip to main content
Idioma:
Primo Search
Clear Search Box
Search in: Busca Geral
Busca Avançada
Busca por Índices

Luca Pretolesi

The Mix (Berkeley, Calif.), 2013-04, Vol.37 (4), p.50-50

Berkeley, Calif: Future US Holdings Inc. d/b/a Future US LLC

Texto completo disponível

Citações Citado por
  • Título:
    Luca Pretolesi
  • Assuntos: Dance music ; Electronic Music ; Hip hop music ; Musical recordings ; Pretolesi, Luca ; Record Producers ; Recording Studios ; Remixes (Sound recordings) ; Sound ; Sound Design ; Sound Recordings
  • É parte de: The Mix (Berkeley, Calif.), 2013-04, Vol.37 (4), p.50-50
  • Notas: content type line 24
    SourceType-Magazines-1
    ObjectType-Interview-1
  • Descrição: The Snoop Lion album... it's definitely one of the most interesting and creative productions this year. 1 had a lot of fun and freedom with those mixes. The album has deep influence from reggae, West Coast hip-hop and fusion with electronic sound. The album is very rich with collaborations and guest appearances, including Chris Brown, Drake, Tl., Akon and others. 1 had to deal with all those guest vocalists recorded in different studios. 1 tried to keep the integrity of the artist sound but at the same time blend with the vision of the mix. The album sounds definitely current but with a retro feeling. 1 had the chance to experiment a lot - a lot of harmonic distortion, parallel processing, traditional UBK Fatso, 1176s on drums but also heavy plug-in use and lo-fi re-sampling on synths, including a nontraditional use of Metric Halo plug-ins and Nl Guitar Rig on synths and even on vocals. Snoop sounds very intimate and in front of the speakers. To me this record sounds fresh. I always try to create an order of priority on the mix. 1 bring only the main elements in first. A simple and clean session. In the case of a vocal song 1 always work around the hook and drums first, followed by main synths and bass. 1 start from leveling and panning followed by dynamics. 1 respect the original composition first and then bring my colors on the mix. For example, on Bruno Mars"Locked Out of Heaven (Major Lazer Remix)" - 1 had the opportunity to retouch an amazing up-tempo hit with the right elements already in place. 1 worked mostly on drums, bassline, synths, separation and more "in-your-face/dry" mix.
  • Editor: Berkeley, Calif: Future US Holdings Inc. d/b/a Future US LLC
  • Idioma: Inglês
Voltar para lista de resultados
Ir para página anteriorAnterior Resultado  5 AvançarIr para próxima página

  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

Buscando em bases de dados remotas. Favor aguardar.