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The Race of Sound: Listening, Timbre, and Vocality in African American Music
Eidsheim, Nina Sun
Durham: Duke University Press 2019
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Título:
The Race of Sound: Listening, Timbre, and Vocality in African American Music
Autor:
Eidsheim, Nina Sun
Assuntos:
African Americans-
Music
-Social aspects
;
Anderson, Marian,-1897-1993
;
Ethnomusicology
;
Holiday, Billie,-1915-1959
;
Instruction & Study
;
MUSIC
;
Music
and race-United States
;
Music
-Social aspects-United States
;
race
;
Scott, Jimmy,-1925-2014
;
Singing-Social aspects-United States
;
The Arts
;
thema EDItEUR
;
thema EDItEUR::A The Arts::AV
Music
::AVA Theory of
music
and musicology
;
Theory
;
Theory of
music
and musicology
;
timbre
;
Tone color (
Music
)-Social aspects-United States
;
Vocaloid (Computer file)
;
voice
;
Voice culture-Social aspects-United States
Notas:
2020-03-27 11:40:53, Funder name: UCLA/ Funding project name: Toward an Open Monograph Ecosystem TOME
Descrição:
In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
Títulos relacionados:
Refiguring American
Music
Editor:
Durham: Duke University Press
Data de criação/publicação:
2019
Formato:
288
Idioma:
Inglês
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