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Art After Gentrification

Gregory Sholette Kim Charnley

Delirium and Resistance, 2017, p.127

Pluto Press

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Título:
Art After Gentrification
Autor: Gregory Sholette
Kim Charnley
Assuntos: Aesthetic objects ; Aesthetics ; Applied arts ; Applied sciences ; Architectural elements ; Architecture ; Art education ; Art history ; Art objects ; Art periods ; Arts ; Arts participation ; Axiology ; Baked goods ; Behavioral sciences ; Breads ; Capitalism ; Clinical psychology ; Cognitive disorders ; Delirium ; Development studies ; Economic disciplines ; Economic theory ; Economics ; Food ; Food science ; Foodstuffs ; Gentrification ; Interior spaces ; Kitchens ; Labor ; Labor economics ; Mental illness ; Modern art ; Philosophy ; Psychology ; Quick breads ; Rooms ; Social sciences ; Urban development ; Urban renewal ; Visual arts ; Waffles
É parte de: Delirium and Resistance, 2017, p.127
Descrição: The practice of repurposing resources that already exist—versus innovating or engineering new ones—is an area of significant overlap between contemporary art and twenty-first-century capitalism. Low-risk and relatively low-cost, the process of creative reuse generates fantastic value-adding possibilities. Or so it seems. Where a defunded inner-city neighborhood previously lay in tatters, a rising spirit of self-repair and hope now emerges, and where once the overlooked working class was forced to devise survival tactics along the edges of formal capitalist markets, they are now part of the urban “placemaking” paradigm, if not in the flesh, then at least evoked in
Editor: Pluto Press
Idioma: Inglês

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Art After Gentrification

Gregory Sholette Kim Charnley

Pluto Press

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