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Introduction: THE CLUES LEFT BEHIND

Maizels, Michael

Barry Le Va, 2015, p.ix

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Título:
Introduction: THE CLUES LEFT BEHIND
Autor: Maizels, Michael
Assuntos: Aesthetic objects ; Aesthetics ; Applied arts ; Architectural control ; Architecture ; Art exhibitions ; Art objects ; Artists ; Arts ; Arts participation ; Axiology ; Behavioral sciences ; Communications ; Communications media ; Development studies ; Economic disciplines ; Economics ; Employment ; Human behavior ; Labor economics ; Occupations ; Philosophy ; Plastic arts ; Sculpture ; Social sciences ; Urban development ; Violence ; Visual arts ; Visual materials
É parte de: Barry Le Va, 2015, p.ix
Descrição: In November 1968, an unusual image appeared on the cover ofArtforummagazine (Figure I.1). Phillip Leider, the journal’s head editor, later remembered that “this color photograph came in that was so stunning and so revolutionary, no one had ever seen a piece like this.”¹ But while the image was plainly unusual, it was unclear what precisely it depicted. Visually, there were flakes and ribbons of yellow-orange felt that seemed to glow acidly against a wooden floor. But whatwasit? A new mode of sculpture? A kind of deconstructed painting? Descriptors such aspostminimalism, process,andinstallation art—terms
Editor: United States: University of Minnesota Press
Idioma: Inglês

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