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The itinerancy of artists: the construction of the visual arts field in Brasília (1958-1967)

Madeira, Angélica

Tempo social : revista de sociologia da USP, 2002-10, Vol.14 (2), p.187-208 [Periódico revisado por pares]

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Título:
The itinerancy of artists: the construction of the visual arts field in Brasília (1958-1967)
Autor: Madeira, Angélica
Assuntos: Architecture ; Art markets ; Artists ; Hegemony ; Humanities ; Market strategy ; Patronage ; Social sciences ; Social theory ; Strategies ; Urban planning ; Urbanization ; Visual arts
É parte de: Tempo social : revista de sociologia da USP, 2002-10, Vol.14 (2), p.187-208
Notas: ObjectType-Article-2
SourceType-Scholarly Journals-1
ObjectType-Feature-1
content type line 23
Descrição: This article presents the first results of a research which aims at mapping and analyzing the construction and the consolidation of the field of the visual arts in Brasília. The whole project is divided into three significant moments of the city's history: the fifties, when the rationalist model in architecture and urban design, and concretism in the field of the arts became hegemonic; the late sixties, when conceptualism was strongly affirmed on the Brazilian art scene; and finally, the two last decades, which brought big changes to patronage and to art market strategies. The article also punctuate some theoretical and methodological remarks.
Editor: Sao Paulo: Universidade de São Paulo - Departamento de Sociologia da Faculdade de Filosofia, Letras e Ciências Humanas
Idioma: Português

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