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Mendelssohn’s “Authentic” Handel in Context: German Approaches to Translation and Art and Architectural Restoration in the Early Nineteenth Century
Glenn Stanley Jürgen Thym
Mendelssohn, the Organ, and the Music of the Past, 2014, p.264
Boydell & Brewer
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Título:
Mendelssohn’s “Authentic” Handel in Context: German Approaches to Translation and Art and Architectural Restoration in the Early Nineteenth Century
Autor:
Glenn Stanley
Jürgen Thym
Assuntos:
Aesthetics
;
Anthropology
;
Applied aesthetics
;
Applied anthropology
;
Applied arts
;
Applied linguistics
;
Architecture
;
Art conservation
;
Art education
;
Art history
;
Arts
;
Arts participation
;
Axiology
;
Behavioral sciences
;
Buildings
;
Cathedrals
;
Cultural anthropology
;
Cultural customs
;
Fairy tales
;
Festivals
;
Folklore
;
Folkloristics
;
Folktales
;
Institutional buildings
;
Language translation
;
Linguistics
;
Music
;
Music arrangement
;
Music composition
;
Music education
;
Music festivals
;
Music practice
;
Music theory
;
Musical aesthetics
;
Musical performance
;
Painting restoration
;
Performing arts
;
Philosophy
;
Religious buildings
;
Visual arts
É parte de:
Mendelssohn, the Organ, and the Music of the Past, 2014, p.264
Descrição:
Felix Mendelssohn’s efforts to reform the performance style of early music (notably Handel oratorios) have received only some of the attention they rightfully claim: in 1969 Susanna Grossmann-Vendrey touched on the subject in her book on Mendelssohn and historical music; in the 1990s I published a short essay on his Handel performances at the Lower Rhine music festivals against the backdrop of eighteenth-century performance traditions (Mozart’s arrangements of Handel) and their discussion in the musical press; and in 2008 Ralf Wehner presented the most detailed discussion of Mendelssohn’s Handel performances to date.¹ In this study I will broaden the focus
Editor:
Boydell & Brewer
Idioma:
Inglês
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