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Byrd's Patrons at Prayer

McCarthy, Kerry

Music & letters, 2008-11, Vol.89 (4), p.499-509 [Periódico revisado por pares]

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Título:
Byrd's Patrons at Prayer
Autor: McCarthy, Kerry
Assuntos: Byrd, William (1543-1623) ; Careers ; Cataloging ; Classical music ; Composers ; Composition (Music) ; Evaluation ; Howard, Henry (1517?-47) ; Libraries ; Lumley, John ; Motets ; Music libraries ; Musical criticism ; Musical performance ; Musicology ; Prayer ; Psalms ; Renaissance music
É parte de: Music & letters, 2008-11, Vol.89 (4), p.499-509
Notas: ark:/67375/HXZ-LXJTD1HW-5
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Descrição: We are fortunate to have a number of devotional manuscripts and commonplace books made by William Byrd's patrons. Henry Howard, earl of Northampton, to whom Byrd dedicated the Mass and Office Propers of the 1605 Gradualia, produced a large collection of pseudo-liturgical ‘offices’, a self-contained ritual universe that little resembled either the Roman or the Anglican rite. John, Lord Lumley, Elizabethan bibliophile and patron of Byrd's 1591 Cantiones sacrae, kept a pocket-sized devotional notebook featuring Savonarola's meditation Infelix ego, set to music by Byrd and published in the motet book dedicated to Lumley. Documents of this sort shed some new light on Byrd's Latin-texted music and its patrons, their preoccupations, and their often divided religious loyalties.
Editor: Oxford: Oxford University Press
Idioma: Inglês;Latim

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