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Necloveski intervali: radijske sinteze Filippa Tommasa Marinettija1/Nonhuman Intervals: Filippo Tommaso Marinetti's Radio Syntheses1

Luisetti, Federico

Primerjalna književnost, 2012-08, Vol.35 (2), p.95

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Título:
Necloveski intervali: radijske sinteze Filippa Tommasa Marinettija1/Nonhuman Intervals: Filippo Tommaso Marinetti's Radio Syntheses1
Autor: Luisetti, Federico
Materias: Aesthetics ; Epistemology ; Interruptions ; Italian literature ; Marinetti, Filippo Tommaso (1876-1944) ; Radio ; Technology ; Wireless communications
Es parte de: Primerjalna književnost, 2012-08, Vol.35 (2), p.95
Descripción: In his 1933 'sintesi radiofoniche' (radio syntheses) Filippo Tommaso Marinetti explores the conceptual and sensorial density of wireless communication, alternating sounds, noises and silences through a complex use of interruptions and intervals. This essay analyses the theoretical implications of these unprecedented in-betweens in the context of the debates on infra-representational artistic methods taking place at the beginning of the twentieth century. The technologisation of aesthetic production advocated by Marinetti is then framed within the landscape ofapost-Bergsonian vitalist epistemology, in opposition to Gilles Deleuze' s transcendental interpretation of the avant-garde practices of interruption. [PUBLICATION ABSTRACT]
Editor: Ljubljana: Slovenian Comparative Literature Association/Slovensko Drustvo za Primerjalno Knjizevnost
Idioma: Eslovaco

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