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Foregrounding Sound: New (And Old) Directions in Sound Studies

Hilmes, Michele Hilmes, Michele

Cinema journal, 2008-09, Vol.48 (1), p.115-117

Lawrence: University of Texas Press

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Título:
Foregrounding Sound: New (And Old) Directions in Sound Studies
Autor: Hilmes, Michele
Hilmes, Michele
Assuntos: Communications industry ; Cultural change ; Film & stage music ; Film music ; Forecasts and trends ; Foregrounding ; In Focus: Sound Studies ; Interest groups ; Mass media ; Media studies ; Movies ; Music ; Popular music ; Sound ; Sound recording and reproduction ; Studies ; Study and teaching ; Television music ; Television studies ; United States history ; Visual culture
É parte de: Cinema journal, 2008-09, Vol.48 (1), p.115-117
Descrição: Running along history of science and technology Unes through die fertile fields of American cultural history, another strand has produced work such as Emily Thompson's The Soundscape of Modernity and Jonathan Sterne's The Audible Past, examining listening practices and applied acoustics in American cultural life as they intersect with the development of technology, emergent practices of modernity, and social structures and hierarchies of the twentieth century.4 However, the two largest bodies of work on sound come from musicology, particularly its ethnomusicology and popular music branches, and film study, where the analysis of film music predominates over investigations of voice or dialogue.5 When Rick Altman proclaimed in 1999 that sound studies was "an idea whose time has come," he was referring primarily to the study of the film soundtrack.6 Of the four essayists presented here, only Analiid Kassabian s work has focused primarily on film.
Editor: Lawrence: University of Texas Press
Idioma: Inglês

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Foregrounding Sound: New (And Old) Directions in Sound Studies

Hilmes, Michele Hilmes, Michele

Lawrence: University of Texas Press

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